Columns - Page 32

Being a bass player is awesome. Not only do you get to hang in the back and groove, but you get to skate by on all of that “theory” stuff that guitar players have to deal with. You know… like chords and whatnot. We only have to play one note at a time! That’s like… way easier. I wouldn’t want...

Q: I’ve heard jazz musicians talk about “reharms”, which are just reharmonization of a song (or so I’m told). Can you explain how to “reharmonize” a song? A: There was a time where I was also mystified by whatever the process of reharmonizing a tune might be. I figured that it must require some deep, deep level of understanding of...

Q: I was recently listening to your newer album and was really loving the tone you get. Can you talk a little about how make sure to get “your sound” in the studio? Also, any general tips for recording in the studio would be helpful, too. I’m about to record our band’s first album and want to make sure I’m...

One of our No Treble readers has this to say: I understand how to structure my practice, but I’m still having trouble figuring out how to set up practice sessions because I have so much stuff to work on. I’m a bit frustrated. Do you have any suggestions? The first thing I’d suggest is to check out this column on...

In the previous BPTK column, we took a look at the early years of punk rock with Paul Simonon of The Clash. It’s time to fast forward to the 1990’s and the punk renaissance that popularized bands such as Green Day, Blink-182, The Offspring, and Weezer. Exercising a modern take on this musical counter-culture, Green Day’s record Dookie personally inspired...

Q: What advice do you have for someone who has problems with playing 16th notes and has learning disability in math? I have goals to play music in my own gigs and play at a couple venues, but I’m doubting whether it’s even possible to play on one’s own. A: I don’t think that a learning disability should hinder you...

As readers send in questions, one of three things happens: a) I turn it into an “Ask Damian” column, or b) I respond directly, because the question doesn’t quite warrant an entire column (I do try to respond to everybody) or c) it gets put into the folder of questions that I’d like to answer but don’t know exactly how...

Playing chords on the upright doesn’t only add to our tonal palette, it also strengthens our knowledge of a tune and our instrument. Some voicings, however, are more pleasant than others. Three and four note chords can easily become “muddy” and unclear, especially in the mid to lower register. As a result, many bass players choose to play Shell Voicings,...

Here I am, once again, on the bandstand with a bass in hand. Two sets down, one to go. It’s a free for all… no official set list and a handful of requests. A guy with a twenty in his hand walks up to the stage and says, “Do ya’ll know ‘Whipping Post’?” The guitar player immediately looks at me...

Q: I’ve recently made a switch from fretted to fretless bass, and so far it’s been awesome, but here’s the thing… A couple of the fretted basses I’ve played so far were all 34-inch scale, and the fretless I now play is a 35-inch scale six-string – and it’s unlined. So stretching my fingers that wide is becoming a pain...

Q: I have been playing bass guitar for about 8 years, got my grade 8, toured, recorded and got myself to a semi-professional session level. As I am going to go full time as a bass player in the next 18-24 months (I am realistic as well as ambitious) I started lessons with an outstanding teacher and someone who has...

“Slow practice is fast practice” they say. To be sure, slow practice is a powerful strategy. Used by itself, however, it is incomplete. Ultimately, to perform fast passages well, we will need to have practiced them at full speed. In fact, if we are not careful, solely practicing a passage under tempo can drive us into a rut. It can...