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Breaking Down Fatback’s “King Tim III (Personality Jock)” and the Work of Johnny “Flip” Flippen
From the Bottom

Breaking Down Fatback’s “King Tim III (Personality Jock)” and the Work of Johnny “Flip” Flippen

Paul Thompson breaks down Fatback’s “King Tim III (Personality Jock)” and the Work of Johnny “Flip” Flippen in this episode of “From the Bottom.”

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Stomp! Breaking Down Louis Johnson’s Bass Line and Solo
From the Bottom

Stomp! Breaking Down Louis Johnson’s Bass Line and Solo

In this episode, I’m breaking one of the greatest funk/dance tracks in history: “Stomp!” (1980) by the Brothers Johnson (produced by Quincy Jones) and the incredible bass playing by the late, great Louis Johnson (and his iconic bass solo!)

Heartbeat: Breaking down WAR’s Greatest Bass Line
From the Bottom

Heartbeat: Breaking down WAR’s Greatest Bass Line

In this episode, Paul Thompson digs into the amazing grooves from one of the greatest genre-defying bands of the 70’s: WAR. From the iconic “Low Rider” to “Cisco Kid” to “Slippin’ Into Darkness,” which song contains their GREATEST bass line?

“I’m Gonna Tear This Playhouse Down”: Exploring Pino Palladino’s Classic Bass Line (and the Pedal That Made It Happen)
From the Bottom

“I’m Gonna Tear This Playhouse Down”: Exploring Pino Palladino’s Classic Bass Line (and the Pedal That Made It Happen)

Paul Thompson kept the fretless out for this new “From The Bottom” episode. He digs into Pino Palladino’s classic bass line on “I’m Gonna Tear This Playhouse Down” (and the pedal that made it happen).

Blue Haze: Breaking Down Percy Heath’s Iconic Bass Intro
From the Bottom

Blue Haze: Breaking Down Percy Heath’s Iconic Bass Intro

In this episode of “From The Bottom,” Paul Thompson celebrates the genius of the late, great bassist Percy Heath. He breaks down Heath’s iconic walking bass intro to Miles Davis’ “Blue Haze” (1954) and the six reasons he loves it.

The Genius of Bassist Mick Karn
From the Bottom

The Genius of Bassist Mick Karn

In this episode of “From the Bottom”, Paul Thompson digs into one of the greatest (and underrated) fretless bass guitarists of the 80s and 90s: Mick Karn.

Glide: Is This the Ultimate Slap Bass Line?
From the Bottom

Glide: Is This the Ultimate Slap Bass Line?

In this new episode of “From the Bottom,” Paul Thompson digs into one of the “Hall of Fame” bass grooves from the past 40 years: “Glide” by Pleasure (1979), and the man who wrote and played it: Nate Phillips.

That Time Rush Sampled Looney Tunes
From the Bottom

That Time Rush Sampled Looney Tunes

Remember when Rush worked cartoon theme music into one of their recordings? In this “From the Bottom” episode, Paul Thompson digs into “La Villa Strangiato,” and shows us how Raymond Scott will always be linked to this epic prog rock instrumental.

“Christmas Wrapping” by the Waitresses: The Greatest Christmas Bass Line Ever
From the Bottom

“Christmas Wrapping” by the Waitresses: The Greatest Christmas Bass Line Ever

In this episode of “From the Bottom,” Paul Thompson digs into one of the most unique holiday songs ever recorded, “Christmas Wrapping” by the Waitresses.

The Three-Note “Hack” To Better Bass Lines (and Solos)
From the Bottom

The Three-Note “Hack” To Better Bass Lines (and Solos)

In this episode of “From the Bottom,” Paul Thompson dives into the magical world of triads – our musical building blocks. Be sure to grab the included exercises and follow along.

Philly Soul: The Top 10 Ronnie Baker Bass Lines
From the Bottom

Philly Soul: The Top 10 Ronnie Baker Bass Lines

This episode of “From the Bottom” is part history lesson, part analysis, part tribute. Paul Thompson digs into one of the great unsung bassists of Soul, Disco, and Popular music: Ronnie Baker. Check out Paul’s top 10 bass lines by Baker.

I Shoulda Loved Ya: Breaking Down Disco’s Last Great Bass Line
From the Bottom

I Shoulda Loved Ya: Breaking Down Disco’s Last Great Bass Line

In this episode of “From The Bottom,” Paul Thompson breaks down one of Disco’s last hits from 1980: “I Shoulda Loved Ya” by Narada Michael Walden, and the excellent bass work of T.M. Stevens.