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  • Ray’s raving about… Eldar Djangirov and his newest CD

    Eldar Djangirov’s CD, Virtue, has been spinning in my car for weeks now. I unfortunately had never heard of Eldar until reading a review about this new CD and when I checked it out I was instantly a fan. At first I was drawn by his amazing technique and angular lines but the deeper I... »

  • Ask Damian Erskine: Learning new styles

    Q: How did you go about learning the different styles that you get called to play? (salsa, etc.) This fits in to the whole notion of “diversification” you were discussing. A: The short answer is by accepting every gig I could, getting the book (charts) and/or CD and shedding like mad so as not to... »

  • Ray’s Raving About… NPR Music

    I am a big fan of talk radio and I especially like the programs on NPR (National Public Radio). In this “rave” I wanted to spotlight the music section on the NPR web site. NPR Music has so many cool things to offer including concerts, studio session, interviews, reviews, etc. There is something for everyone... »

  • Ask Damian Erskine: Target Notes

    Q: Can you suggest any exercises to help me to internalize the notion of targets when playing over chord changes and work them into my playing ? A: Definitely. Although I’ve never tried to develop an exercise to practice this concept, It’s something I’ve just always done when trying to solo… especially when I feel... »

  • Ray’s Raving About… Modal & Contemporary Patterns

    As a player/teacher I have collected many books over the years, in fact I have two big bins in my garage full of various music books of all kinds. There are a hand full of books though that I find myself coming back to time and time again for reading studies, concepts and inspiration. One... »

  • A review of John Patitucci Trio’s “Remembrance”

    John Patitucci’s latest release, Remembrance, on Concord Jazz is yet another masterpiece in his extensive discography. The album is Patitucci’s seventh with Concord and his thirteenth as a leader. Remembrance features Patitucci on acoustic bass, 6-string electric bass, 6-string electric piccolo bass; Joe Lovano playing tenor saxophone and alto clarinet along with Brian Blade on... »

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  • Ask Damian Erskine: Light vs. a hard touch

    Q: I like your style because from my point of view it seems that you’re very comfortable playing the bass (seems light touch in both hands) but the sound you get is very punchy which I associate with playing hard. So here comes the question: Do you play mostly hard or light with your right... »

  • Ray’s Raving About… Twitter

    This week’s rave is all about the social networking site, Twitter. For musicians “networking” has always played a big part in our lives. It helps us share information, ideas and hopefully get’s us gigs (lol). I have to say I’m really impressed with the bass community as a whole and one look at a site... »

  • The Lowdown with Dr. D.: Making the Switch from Electric to Upright (part 1 of 3)

    This is my inaugural installment here at No Treble and I look forward to our impending dialogue. Here at the Lowdown, I will be focusing on the Upright Bass, in all its glory. Whether you are an Electric bassist looking to add the Upright to your gig bag, or a classically trained musician wanting to... »

  • What Does it Take to Become a Professional Musician?

    Q: What is really required of one who wants to become a professional musician (IE: no day job!)? A: Wowee… This could easily be a book (actually, I think it probably is…). To start with, there are many kinds of professional musicians. Here are some basic sub-catagories off the top of my head: One who... »