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  • Starting Out: Getting Work

    Starting Out: Getting Work

    Photo by Alan Levine Q: I recently saw a video that talked about going to music school. After watching it I got the impression that maybe school wasn’t such a good idea. At the same time it seemed like the only way to get work as a musician, was to go to school and use... »

  • Dealing with a Removable Neck

    Dealing with a Removable Neck

    Q: I have read your latest column on the set-up of your bass and that you had a removable neck installed. I never had one and one of the reasons why I’m holding off on this is the fact that a removable neck also means a removable bridge. I mean: the bridge is not fixed... »

  • Surviving the Holidays as a Freelance Bassist

    Surviving the Holidays as a Freelance Bassist

    For non-musicians the winter holidays can be a time for rest, relaxation and extra time with family. For many freelance musicians, however, it is a time of early mornings, late nights, long hours playing, coffee, and lots of time in the car going from gig to gig. The upside is, of course, that it can... »

  • My Double Bass Setup: Part 4 – Endpin, Removable Neck and Travel Case

    My Double Bass Setup: Part 4 – Endpin, Removable Neck and Travel Case

    Endpin I also use an angled endpin while standing. The main reason for this is to take the weight of the instrument off my left hand while allowing my left hand easy access to the complete fingerboard. For more on this, check out this column. Some people have noted that my endpin length and angle... »

  • My Double Bass Setup: Part 3 – String Spacing and String Height

    My Double Bass Setup: Part 3 – String Spacing and String Height

    String Spacing My string spacing at the nut is approximately 8 millimeters between each string and my string spacing at the bridge is about 22 millimeters between each string. By contrast a more traditional setup might be 10 mm at the nut and 28 mm at the bridge. Although this particular change may seem small... »

  • My Double Bass Setup: Part 2 – Number of Strings, Tuning and Fingerboard Length

    My Double Bass Setup: Part 2 – Number of Strings, Tuning and Fingerboard Length

    I play a five-string bass with both a higher string and a low C, via an extension. My specific tuning is (from lowest to highest) C, B, E, A, D. The low C string can be tuned via capos (on the C extension) to any chromatic note between C and E (the more standard low... »

  • My Double Bass Setup: Part 1 – The Bow

    My Double Bass Setup: Part 1 – The Bow

    Usually in this column I talk about general double bass (upright bass) subjects, or answer specific questions that I think will be of benefit to the largest number of readers. Lately, however, I’ve been getting a great many questions about my personal bass setup. So, in the next few columns I’m going to go through... »

  • Should I Play French or German Bow?

    Should I Play French or German Bow?

    Q: I’m just starting out and I can’t figure out if I should play French or German bow? – Marisol G. A: One of the seemingly most controversial, yet entirely manufactured non-controversies among double bass players is whether one should play using an overhand (aka “French”) bow or an underhand (aka “German”) bow. Note: “German”... »

  • Dealing with Stamina Issues on Bass

    Dealing with Stamina Issues on Bass

    Q: I’ve been playing upright for the past few months, and I’m having some stamina problems in my left hand. Someone said that maybe the neck is too thick. Do you think having the neck thinned out would help with my stamina? Thanks! – Marian A: It’s great to hear you are playing upright bass... »

  • Maximizing Resonance with the Bow

    Maximizing Resonance with the Bow

    If you play the bass long enough you’ll hear someone talking about making a “resonant” sound. When we are searching for a resonant sound we are attempting to create an unrestricted sound, one with some “depth,” where the strings and the bass itself both vibrate freely. Obviously, some basses vibrate more easily than others. These... »