Archive for 2026 - Page 20

A historic 1969 Fender Jazz Bass purchased by James Brown for Bootsy Collins is back on the market, carrying decades of funk history and documentation.

Captured live at JammJam, “Nails” showcases Mohini Dey and Spirit Fingers Trio in peak form, delivering progressive jazz with precision, fire, and intensity.

Les Claypool announces "Frizzle Fry: The Phantoms of Barrington Hall," a new graphic novel expanding Primus lore. Pre-orders are open now.

Markbass expands its Yellow Series with the MB5 Yellow JB, a five-string J-style bass featuring passive electronics, single coils, and the brand’s signature yellow finish.

Khruangbin revisit their debut at The Current, where Laura Lee locks in the groove on her new signature Fender Jazz Bass.

U2 surprise-drop Days of Ash, a six-song EP inspired by current events. Adam Clayton’s bass drives opener “American Obituary.”

Corcoran Holt discusses his most personal album, "Freedom of Art," the DC jazz bass lineage, family, loss, and his role as an educator.

Stu Hamm shares a solo performance on his Mayones Comodous 4 “Kirby,” delivering melody, harmonics, and signature two handed technique.

Audiofab updates its Frequency Distiller with the Special Blend model, adding enhanced filters, stereo input, and 26V internal headroom.

A vintage 1964 Fender Jazz Bass inspired a fresh approach to groove—ditching slap for pick funk in B minor pentatonic with palm muting and sextuplet licks.

Avishai Cohen leads his trio from the upright bass, blending groove, lyricism, and tight interplay in a performance bass players won’t want to miss.

The Milt Hinton Institute for Studio Bass returns July 19–25, 2026 at Drew University, featuring top faculty and Scott LaFaro’s Prescott bass.