Articles by Jody Miller - Page 2

Watch John Deacon’s bass work shine in Queen’s “Crazy Little Thing Called Love,” restored in 4K from the band’s legendary 1986 Budapest concert.

Nathan East joined John McLaughlin at Crossroads 2026 for a fiery jazz fusion set featuring “Little Miss Valley,” “Jean Pierre,” and plenty more music.

Alabama Shakes returned to late night with “I Feel Hope Coming,” featuring Zac Cockrell on bass and a soulful groove from their new album, I Must Be Dreaming

Geezer Butler closed out Jack Sabbath’s Power to the People set with “War Pigs” after Revel Ian handled bass on the band’s Sabbath and Ozzy covers live.

Goose brought “Good Times // End Times” to Jimmy Kimmel Live, with Trevor Weekz delivering a thick Elrick five string tone and plenty of low end weight.

Charles Berthoud gives his bass a futuristic makeover, using wild synth sounds from a Future Impact, neon strings, and glowing LED fretboard lights in a fun new performance.

Karina Rykman leads her band through “Easy, Rider” on CBS Saturday Morning, delivering the bass-heavy groove at the heart of her new album, Late Checkout.

Keanu Reeves opens up about bass, Dogstar, his Fender P and PJ basses, his GK rig, and the players who helped shape his approach to the instrument today.

Victor Wooten locks in with The Wooten Brothers at Berlin’s ZigZag Jazz Festival, delivering deep grooves in newly released footage from the Gasometer.

Nathan East lays down the low end while Trey Anastasio and John Mayer stretch out on a 12 minute “What’s Going Through Your Mind” jam at Crossroads in Austin.

Stewart Copeland joins Geddy Lee and Alex Lifeson for “New World Man,” bringing his unmistakable style to the Rush classic in new documentary footage.

Keanu Reeves talks Dogstar, his touring bass rig, the players who shaped his sound, and why he still loves making music with his longtime friends. Watch now.