Latest from Jody:
Vincen García Slows Things Down for a Beautiful Take on “Keep Calm”
Vincen García steps away from his usual fire on “Keep Calm,” delivering a solo bass performance built around melody, dynamics, space, and expression too.
WATCH: Derek Frank Debuts “The Basses Behind the Gig,” a New Video Series for No Treble
Derek Frank opens up his bass collection in The Basses Behind the Gig, a new No Treble series. First up is his custom Bacci Marleo five string bass today.
Watch Victor Wooten Create a Song From Scratch with Carl Verheyen and Nick D’Virgilio
Victor Wooten joins Carl Verheyen and Nick D’Virgilio to build a song from scratch, creating and arranging the music together in real time at Sweetwater.
Watch Robert Trujillo Take On “And Justice for All” at Sphere in Las Vegas
Metallica’s “…And Justice for All” returns at Sphere in Las Vegas, with Robert Trujillo delivering the low end on an epic custom Warwick bass on opening night.
Metallica Honors Cliff Burton With “The Call of Ktulu” at Sphere
Robert Trujillo takes on “The Call of Ktulu” at Sphere as Metallica honors Cliff Burton, who co-wrote the instrumental that closed Ride the Lightning.
Two Bass Monsters Collide on Toby Peterson Stewart and Jacob Umansky’s “Probably Fine”
Toby Peterson Stewart and Jacob Umansky reunite for “Probably Fine,” a bass heavy instrumental built around two Dingwalls, big technique, and tight interplay.
Mattias Hägerstrand Takes on The Ocean’s Dynamic Post-Metal Track “Departure Song”
The Ocean bassist Mattias Hägerstrand delivers a full playthrough of “Departure Song,” showing how far a four string P Bass can go in modern post metal.
The Red Clay Strays and Andrew Bishop Tear Into “Don’t Wanna Know” on Late Night
The Red Clay Strays hit Fallon with “Don’t Wanna Know,” while Andrew Bishop delivers the low end on a Banker Explorer bass through an Ampeg rig all night.
WATCH: MonoNeon Goes Off on a Fretless Bass Solo
MonoNeon turns three minutes of solo bass into a wonderfully strange fretless P Bass workout, packed with deep funk, warped melodies, bends, and twists.
Kevin Scott Brings the Low End Heat on Gov’t Mule’s “Shakedown Street”
Gov’t Mule tears into “Shakedown Street” in Chicago as Kevin Scott lays down a huge vintage P Bass and SVT groove while Warren Haynes plays Doug Irwin #024.
Billy Sheehan Unleashes the Bass Line Behind Mr. Big’s “Green Tinted Sixties Mind”
Billy Sheehan puts his signature Yamaha Attitude to work in this bass playthrough of Mr. Big’s “Green Tinted Sixties Mind.”
Brent Harding Brings the Grit on Social Distortion’s “Tonight”
Brent Harding brings the grit on Social Distortion’s Apple Music Sessions performance of “Tonight,” laying down a punchy line on a vintage Precision Bass.