Electro-Harmonix Archives

Electro-Harmonix launches the Bass Big Muff Pi 2, which tailors the long-lost Big Muff 2 circuit with Blend and Bass Boost controls for powerful, low-end-friendly fuzz.

The “Lost” Big Muff returns as JHS and Electro-Harmonix unveil the Big Muff 2, a newly discovered Op-Amp fuzz with huge bass response.

Electro-Harmonix’s Nano Looper 360 has been one of their best-selling pedals for the past decade, and now they’re leveling it up. The new 360+ Looper builds on the compact unit with an updated feature set and an even smaller footprint.

Electro-Harmonix has unveiled the POG3, marking the latest generation of its Polyphonic Octave Generator pedal. The company calls it the most powerful pedal in the history of the series.

Electro-Harmonix has introduced the Lizard King, an octave and fuzz pedal based on their Lizard Queen but optimized for bass.

Hot on the heels of the Pico POG, Electro-Harmonix has unveiled the Pico Platform compressor/limiter. The compact unit was designed to “offer studio-style compression and limiting to any pedalboard.”

Electro-Harmonix has introduced the Pico POG, which marks the smallest and most powerful in their POG series. The Polyphonic Octave Generator offers octave up and down sounds in a compact stompbox.

Electro-Harmonix has introduced the Nano Q-Tron, which puts their funky envelope filter into a smaller housing. Made for use with everything from guitar to bass to keys and beyond, the pedal responds to your playing dynamics.

Electro-Harmonix has introduced the Intelligent Harmony Machine, a pitch shifter that can generate single note, diatonic harmonies, intervals, and secondary options.

Electro-Harmonix has updated their Memory Man delay/chorus/vibrato pedal with the Nano Deluxe Memory Man. The company’s founder Mike Matthews says it’s more in a smaller package.

Electro-Harmonix has announced the Ripped Speaker, a fuzz pedal that pays homage to the very beginnings of distorted bass sounds. The first sound of a distorted stringed instrument was a gnarly Bass VI tone on “Don’t Worry” by Marty Robbins.

Electro-Harmonix has introduced the Mainframe, a sample rate reducer, and bit crusher pedal that helps to create “old-school” video game and computer sounds.