Ask Damian Erskine - Page 14

Q: So right now I’m trying to hack out my sense of groove and time, really trying to come down on that. I’ve noticed I can’t stay on a groove too long and start to play a lot of lines or rhythmic fills, not really being able to lay down a solid foundation and can’t stay tight? How do I...

Q: Why are some fingerboards curved and some flat? Is there any benefit to one over the other? A: The curve in the fretboard is called a radius, and there are varying arguments I’ve found for the reason. Many people agree that a radiused fretboard works best with the natural curvature of the hand. This is especially geared towards guitarists...

Q: I was thinking that maybe I should start taking Skype lessons so that I can reach out to more teachers than I have around me locally. Do you have any advice? Can you have a good lesson over Skype vs. in person? A: It is certainly possible to have a great lesson over Skype but, yes, there are drawbacks....

Q: I hear people talk about playing “behind the beat” of “ahead of the beat”. How can I work on that? A: I call this micro-timing. I think that phrase helps because many students I have tend to overdo it when they play intentionally behind or ahead of the beat. It is a very subtle difference, and you have to...

Q: I have a weird technique problem. I guess at some point (to feel the groove better? keep the time? mimic the metronome?) I started landing my fingers on strings to kind of mute them between the played notes and now it began bothering me – all the clicks sound even louder on steel strings (which I prefer). The more...

Q: I’m in a band and most of us are of the mind that we should have as much material out there on social media as possible. We’ve started posting snippets of rehearsals, live streaming gigs and encouraging people to post videos of our shows online, etc… One member of the band is very much against it all. He wants...

Q: I’m just starting out and was wondering if you had any tips for memorizing the fingerboard? A: This is one of those columns where I need to preface my answer by saying “your mileage may vary.” Personally, I was lucky. I started working on reading notation from day one. I still think that reading music is the best way...

Q: I am thinking about entering a music program when I get to college. How should I prepare for playing bass in a college program? What will I need to know? How good do I need to be? A: Whenever I speak with younger players getting ready to enter a collegiate music program, my first instinct is usually to tell...

Q: I was wondering what – in your opinion – makes a good bassist? A: This will be the most subjective article I’ve ever written, most likely, and I imagine that many of you will have a different view by one degree or another. There are many valid view points to be shared. I think that phrasing is important. In...

Q: I have been practicing with some jazz musicians who are more experienced than I am. For the most part, everything is fine, but I’m having trouble keeping up with the more up tempo numbers – walking and especially soloing. I just feel like my brain and fingers can’t keep up with the music. How can I think faster in...

Q: How do you define “practice”? I’m curious because a friend asked me how I practice, and I said that I just play a lot and wasn’t sure how to answer the question. He said that “there’s a difference between playing and practicing”. Do you agree with that? A: My quick answer is yes, I believe that there is a...

Q: I have a dep gig in 5 days and need to learn 23 songs. Any tips? I’m quite a good reader and have all the songs transcribed so I can probably read the music as I play but it’s for a rock gig and wouldn’t look particularly cool. A: For those who don’t know what a “dep gig” is...