Ask Damian Erskine - Page 20

Q: I have been practicing bass on my own for two years while attending college. My goal is to become a working musician and I would like to at least get a gig at a church this year. I’m at a point now where I can hear a piece of music and get pretty close to the right note the...

Q: I’m a fairly busy bass player working with five or six different bands ranging from funk to soul to hip-hop/neo-soul to jazz to disco to metal and a few function bands which encompass just about everything else! For the last four years, I’ve mainly used one sound (neck pickup, flatwound strings) on one bass for everything. But I recently...

Q: I was curious about your approach to playing jazz without a piano player or guitarist. I lead a secret, soon to be a quintet because our piano player is moving away. I respect the kind of stuff presented by Charlie Haden in his work with Ornette Coleman, but aside from the free really “out there” jazz, I’m at a...

Q: I’ve been playing a certain way or style (as in thump, pop or blues) for as long as I can remember. Today’s bass players tend to play a lot – it seems way busier. What do you recommend for an old school bassist who wants to update to today’s styles so it sticks? A: That is an interesting question...

Q: I’ve been studying for a while now, and I’ve been practicing my scales and modes as much as possible over changes. I’ve also been working through arpeggios, including the methods you talk about in your Improvisor’s Path book. For example, I’ll work arpeggios through tunes in different inversions and so on. However, when I go to solo freely over...

Q: I’ve been playing the bass in a blues band for two years. Then we started playing rock and funk songs, and my practicing has always been based on what I hear and what I feel. I don’t really count in my head, and I’ve hardly worked my scales but my band keeps telling me that what I play is...

Q: I play at a semi-professional level. I work a regular 9-to 5-job and play in the evenings. I am lucky enough that I get a few hours every evening to just shed and work on my playing and lately I’ve been doing a lot of classical etudes to work on technique and maintain my reading chops. My question is...

Q: I have been interested in music all my life, but never played an instrument. Now that I’m retired, I have taken up playing the bass for the last six months from an instructor. I started out learning the notes on the bass itself and one song using notes. But since then, all of my learning has been by the...

Q: I’d like to know what your thoughts are on the subtle art of variation within bass lines; the where’s and whys, and indeed, the where nots and the why nots. I believe that this kind of understanding is one of the key factors separating good bass players from great ones. I know for myself, I seem to have two...

Q: What are some good exercises or practice routines to develop a strong sense of time? A: When I want to work on time, rhythm or technique, I think “What would a drummer do”? There are any number of ways to develop that internal clock. Here are a few ideas for you: 1. Playing Along. One of the most fun...

Q: Why does my bass hum when I touch the strings and play in the rehearsal studio? I use SVT, Digitech multi-effects pedal and a Ibanez Roadstar II with big humbucking pickups. A: There is some confusion out there between what happens when you have a grounding issue vs. when you have a shielding issue. You have a grounding issue....

Q: I’ve tried to learn music theory many times. I’ve studied it in a classroom setting, private lessons and on my own, but it just doesn’t click with me for some reason. I’m classically trained, so I can read bass music just fine, but when I play anything that relies heavily on memory or improvisation, I generally just play by...