Search Results for: ask damian

In case you missed them, here are some of the most popular features from last week (September 21st through 26th). Jon Burr shows us how to make transposition much easier in his latest lesson: “By the Numbers“. Meet Phil Wain, our player in the spotlight. Damian Erskine discusses the topic of learning new styles. in his weekly Ask Damian Erskine...

Q: How did you go about learning the different styles that you get called to play? (salsa, etc.) This fits in to the whole notion of “diversification” you were discussing. A: The short answer is by accepting every gig I could, getting the book (charts) and/or CD and shedding like mad so as not to embarrass myself! I also realized...

Q: Can you suggest any exercises to help me to internalize the notion of targets when playing over chord changes and work them into my playing ? A: Definitely. Although I’ve never tried to develop an exercise to practice this concept, It’s something I’ve just always done when trying to solo… especially when I feel like I’m floundering a little...

In case you missed it, here are some of the most popular features from last week (September 6th through 12th). Jon Burr latest lesson covers the all important task of practicing chord changes. Damian Erskine answers a reader on the topic of a light vs. a hard touch. Evan Kepner provides a beginner’s guide to getting radio airplay. Bassist Darren...

Q: I like your style because from my point of view it seems that you’re very comfortable playing the bass (seems light touch in both hands) but the sound you get is very punchy which I associate with playing hard. So here comes the question: Do you play mostly hard or light with your right hand? And with the left...

Q: How do you approach the line between creating an interesting melody while soloing as opposed to playing chord tones and notes that harmonize better. I suppose the two blur into one really but is there a point where you worry less about the changes and more about finding an interesting melody to fit over the top and vice versa....

Q: Just wanted to ask you how can I get used to using the harmonized major and minor scales when soloing or using them when I’m playing a fill. I use the relative major or minor of the key I’m playing in regularly but I cant seem to get the other scale degree’s to work. My second question is how...

Q: How many hours a day do you practice? Do you have any practice tips? A: Admittedly, I don’t practice as much as I’d like these days. I’m married, with dogs that need walking and a mortgage and am very busy playing bass for many different people (which requires a lot of shedding of it’s own kind. Transcribing or memorizing...

Q: Can you make a recommendation in regards to how to develop speed and facility? A: I can!! In my opinion, the most common mistake people make when trying to develop speed and facility has everything to do with a lack of patience! Most people start trying to play things at speeds they can’t yet control and inadvertently practice playing...

Q: I have a gig coming up that requires me to fly with my bass. I’ve never done it and don’t know if I should check it underneath or try and bring it on board! Any help? A: I’ve done it every way you can think of and each has it’s upside and downside. Here’s my breakdown of your options...

How can I make my bass lines more interesting without feeling like I’m playing too much? I feel like when I try and do a little something to add flavor, I’m just forcing licks into the music and over-playing. A: Yeah man, there’s definitely a fine line to be drawn. There are a million ways to add flavor to the...

Q: How do you approach writing a harmony once a melody has been composed? And how do you make sure the harmonic progression works in the way you like it? I assume it’s not just trial and error! A: Admittedly, I’m a newbie when it comes to real composition and yes, it had largely been trial and error. Half of...