Search Results for: chords

While it is always important to have a strong theoretical backing and intellectual depth to your music there are times where you just need to focus on your chops. You can have the coolest idea ever, but if you don’t have the dexterity and agility to move freely and quickly around the fingerboard you won’t get anywhere. These drills are...

In the last lesson we covered a few different strategies for starting to train your ears. This included singing with your instrument, singing over a drone, and singing intervals in all the keys. Now we’re going to take it a few steps further and work to really develop our ears ability to pick out notes and relationships. Remember that these...

We’ve talked in previous columns about anchors and pivots occurring primarily on roots and fifths. What do we use for pivots in the case of chord inversions? We often see these inversions and other sorts of alternate bass notes in the form of compound chord symbols: C/Bb Bb/A Db/F Ebmin/Gb Go/C etc In these chords, there is a triad over...

In one of my earlier lessons I talked about using melodic minor scales to create different degrees of altered tension over functional dominant seventh chords. I got a request from a No Treble reader named Mark, asking for ii-V-I applications. Mark, this lesson is for you! We’re going to focus on different ways to reharmonize the ii-V-I and how that...

In the previous lesson I talked about using melodic minor arpeggios to change the sound of an underlying chord structure. This lesson will take that concept a step further and focus on identifying functioning and static dominant seventh chords and how to apply the melodic minor scale in various ways to control multiple degrees of tension. This will also lend...

The minor keys offer a diverse sonic palette for you to use in improvisation. The darker quality of the tonal sequence gives you a cool sound and the minor keys are very versatile over different chord changes. This lesson will focus on some basic applications of minor keys in different scenarios so you can start to use these keys effectively....

There are many ways to get better at the changes on a particular tune, but this approach works really well. First, play just quarter notes, and play all the arpeggios to get a “mental map” of all the chord tones in the progression (try to do it with a metronome): Then, still in quarter notes, start inverting the chords to...

If you’ve been keeping up with this lesson series and having focused practice you should be getting pretty comfortable with the fretboard layout. Remember that the drills in Part 1 and Part 2 should be practiced regularly to get the full benefit. In this lesson we’ll work on something really fun: the blues! As a note to those who are...

This lesson is derived from Jon Burr’s The Untold Secret to Melodic Bass. Be sure to check out the complete method book in downloadable PDF, Kindle Book and the all-new paperback formats. So far we’ve covered Anchors, Pivots, and now Lead-Ins… This is all fine for jazz, you might be thinking, but what the heck does this have to do...

This series has been dedicated to learning the fretboard, the previous lesson covered the major scale. In this lesson we will cover an applying the major scale to a basic chord progression, the II-V-I. There are a multitude of ways to think about music. For this exercise we will focus on thinking laterally and vertically. When we think laterally we...

This lesson is derived from Jon Burr’s The Untold Secret to Melodic Bass. Be sure to check out the complete method book in downloadable PDF, Kindle Book and the all-new paperback formats. Last week we talked about “Anchors”. We introduced the idea of “Pivots” as “the primary oppositional tone to the root (or anchor). Here is some more discussion of...

This is the first chapter of “The Untold Secret to Melodic Bass.” Be sure to check out Jon’s previous lesson, Melodic Bass Lines, as well as the complete The Untold Secret to Melodic Bass in downloadable PDF or Kindle Book formats. I hope you, the bassist-reader, find the material useful; it’s an approach to the construction of bass lines based...