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Bass Videos - Page 267

Zander Zon: Resistance

Zander Zon: Resistance

Zander Zon took Muse’s “Resistance” and arranged it for two basses (one fretted and one fretless). As always, Zander’s arrangement and performance skills are on full display.

Diego Tarantino: Jitterbug Waltz

Diego Tarantino: Jitterbug Waltz

We also love the videos Diego Tarantino shares with us. This time around, Diego takes on Fats Waller’s “Jitterbug Waltz” on double bass and bass guitar.

Nate Wood: Sides

Nate Wood: Sides

We featured a jaw-dropping video by Nate Wood back in February, which was part of his “fOUR” project. Nate records the videos in this series with no overdubs or pre-recorded backing tracks – and in one take, while simultaneously handling all the instruments. Here’s the fourth entry in his series, called “sides”.

Sven Lindvall: Comparing 17 Vintage Basses

Sven Lindvall: Comparing 17 Vintage Basses

Who doesn’t love a good vintage bass? Our friend Jan Östlund sent us this video of studio bassist Sven Lindvall playing a riff over 17 of the most iconic vintage basses. It’s so cool to hear all the subtle (and not so subtle) differences in each of the instruments. Lindvall plays through each axe twice: once with a finger-style riff...

What A Day: Donyiti Ahla

What A Day: Donyiti Ahla

Bass and vocal duo What A Day is back with a new video. This time the minimalistic, experimental French jazz-pop lounge duo of Jonathan Joly and Leah Gracie tackle the song “Donyiti Ahla” by Lebanese singer Nora Rahal. Joly lays down bass and harmony while Gracie sings and uses a typewriter for cool percussion.

Leonid & Friends: I’m A Man

Leonid & Friends: I’m A Man

Last December, we featured bassist Leonid Vorobyev and his band Leonid & Friends doing an excellent cover of Chicago’s “25 or 6 to 4.” They’re back with another excellent Chicago cover, “I’m A Man.” Nailed it.

Video Premiere: Petros Klampanis’s “Shades of Magenta”

Video Premiere: Petros Klampanis’s “Shades of Magenta”

Today we’re proud to premiere a video for the song “Shades of Magenta” by bassist Petros Klampanis. This beautiful piece of music is a live recording from his latest album, , out now on Motema Music. “‘Shades of Magenta’ is about happiness,” the bassist writes. “We tend to forget how to appreciate small everyday things and this state of mind...

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Dominic “Forest” Lapointe: First Fragment’s “Gula” Playthrough

Dominic “Forest” Lapointe: First Fragment’s “Gula” Playthrough

I hope you’re sitting down for this one. Dominic “Forest” Lapointe’s playthrough for his band First Fragment’s song “Gula” is killer. Originally recorded by Vincent Savary, the song kicks off with a monster fretless tapping line before jumping into a supportive role. Lapointe’s left hand technique and musicality are just incredible.

Whose Hat Is This?: Untitled

Whose Hat Is This?: Untitled

The musicians in the Tedeschi Trucks Band can throw down on some southern soul grooves, but they also have a love for free improv. Four members of the group – including Tim Lefebvre, Kebbi Williams, J.J. Johnson, Tyler Greenwell – formed a project called Whose Hat Is This? to let their creativity run wild. Here they are performing an untitled...

Damian Coccio: Cliffs of Aquinnah

Damian Coccio: Cliffs of Aquinnah

Damian Coccio is back with a new tune, called “Cliffs of Aquinnah,” which is planned to be part of his next solo bass album coming out this year.

Franklin Peredo: Rhythms From The Hippocampus

Franklin Peredo: Rhythms From The Hippocampus

If you’re friends with Franklin Peredo on Facebook, you know he’s had a new video in the works, featuring a brand new tune. Well, today is the day. Here’s Franklin performing “Rhythms From The Hippocampus,” which as always showcases his impressive right hand technique (and composition skills). Enjoy.

Stuart Clayton: Giants of Bass – Mark King

Stuart Clayton: Giants of Bass – Mark King

Stuart Clayton released Giants of Bass – Volume 2 back in March, and the videos keep coming. In this one, Stuart takes on the Level 42 bassist Mark King in this track he wrote for the book. “This complex, slap-driven piece was written in the style of Mark’s early work with Level 42, and features all of his trademarks: sixteenth...