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  • Right Hand Endurance for Bass Players

    Right Hand Endurance for Bass Players

    Q: I’d like to ask something about right hand endurance. I’m playing in two metal bands, so some of our songs are rather fast-paced (I play 95% of the time with a pick). When rehearsing, everything seems just okay – no problems. But when playing live, my right tends to get this irregular muscular tension,... »

  • Improving Time and Rhythmic Accuracy

    Improving Time and Rhythmic Accuracy

    As important as playing with good intonation is, it is even more important to play with good time and rhythmic accuracy. Most of us know that counting, subdividing and practicing with a metronome can help. However, there are things we can do beyond these initial steps. Below are a few suggestions, and a few games,... »

  • The Lightbulb Moment: Time For A Change (of Strings)

    The Lightbulb Moment: Time For A Change (of Strings)

    A letter, documenting the moment when you realize that things aren’t what they used to be but that you have the power to amend the situation. This particular moment, and the frequency with which it occurs, is different for everyone. That said, this letter highlights a few subtle signs to help you determine when it’s... »

  • Exploring Vertical Harmony in Bass Playing

    Exploring Vertical Harmony in Bass Playing

    Q: I have never studied an instrument aside from bass. In watching countless guitarists pick up my bass and rip out some cool lines (and the left hand of pianists), I’ve realized that I’ve never really found an effective way to internalize “vertical harmony”, and thus my lines lack coherence as a whole. How do... »

  • Best Strings for Two-Handed Tapping?

    Best Strings for Two-Handed Tapping?

    Q: I’m looking for the brightest sounding flatwound strings I can find. I play a highly modded ’66 Jazz 5-string with Barto pickups and have used round wound strings consistently since 1972… yes, that long. The sizes I always use are 45 65 85 105, and 125. I want to experiment with the two-handed chordal... »

  • The Importance of Cooling Down After Playing

    The Importance of Cooling Down After Playing

    Most musicians are aware of the importance of warming up. Warming up properly helps to prevent injuries, and increases our ease of play. It can even help solidify our technique and ensure we play at our best that day. Fewer musicians, however, seem aware of the benefits of cooling down. Playing the bass for hours... »

  • Bass Players to Know: Richard Bona

    Bass Players to Know: Richard Bona

    While the past few Bass Players to Know columns have focused on blues, rock, and soul of the US and UK, it’s about time we discover what the rest of the world has to offer. Whenever I think about “world music,” or the sounds, styles, and instruments of different cultures, I frequently stumble upon records... »

  • Exploring Practice with Non-Standard Bass Tunings

    Exploring Practice with Non-Standard Bass Tunings

    Q: I know some pros play using non-standard tuning (drop D, DADG, D standard DGCF, semitone E♭A♭D♭G♭, etc.), and I read somewhere that practice with other tunings can be good to help think in terms of the notes rather than finger patterns. What is your take? Is it a good idea to practice using non-standard... »

  • Quickly Figuring Out Available Notes For Given Chord Types

    Quickly Figuring Out Available Notes For Given Chord Types

    Q: I’ve been trying to learn how to figure out what notes are available for any given chord type. I’ve read columns here (yours are very helpful), Googled it, bought books… I just seem to get more confused at every turn. Once I think I’ve got it, I’ve lost it. Do you have any quick... »

  • Improving Your Musical Ears

    Improving Your Musical Ears

    Being a musician requires a great number of skills. However, the aural component is by far the most prevalent. So, to perform at the highest levels, we must have good listening skills. Ultimately we need to hear, and understand, exactly what is happening around us. Only when we can do this can we respond in... »