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  • Fighting The Urge To Improvise

    Fighting The Urge To Improvise

    Q: I’ve been a bassist for 14 years now, when I started out (much like everyone, I assume) I played what we know as “bass lines”, the notes that the bassist played on the recording to the song. As I developed and learned more about chord construction and harmony I started to understand how these... »

  • The Lightbulb Moment: Easy Come, Easy Go

    The Lightbulb Moment: Easy Come, Easy Go

    In true professional musician fashion, I recently received a set list for an upcoming gig and had a mini panic attack when I took a look at the final song. An anthem, that’s for sure, but one that is rarely attempted in a live setting. It’s a song that most people are familiar with, thanks... »

  • Staying Motivated Without Playing Opportunities

    Staying Motivated Without Playing Opportunities

    Q: I read your column for years, but I don’t know if you have answered this already: I have been playing bass for many years and, due to circumstances beyond my control, I cannot find people in my hometown to play (long story, small Greek city). I am taking some jazz theory lessons (via Skype),... »

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  • Playing Etiquette While Subbing

    Playing Etiquette While Subbing

    Q: While I am stoked that I have been asked, I am a wee bit apprehensive. I have been asked to be a substitute bassist for a classic rock cover and original band by the band leader. My current gig is as a bassist in a trio which plays punk and alternative originals. The slight... »

  • Bass Players To Know: Jim Hughart

    Bass Players To Know: Jim Hughart

    A seasoned sideman with a soulful and sophisticated approach, Jim Hughart has not only backed up some of the greatest jazz artists, but has stood out as a first call session musician on the Los Angeles recording scene. Frequently accompanying Joe Pass and Tom Waits, his premier upright playing can be heard on records of... »

  • Incorporating What We Practice

    Incorporating What We Practice

    Q: In your opinion, how does what we work on when practicing make it’s way into our playing? I’ve been thinking about the best ways to incorporate what I shed into my “vocabulary.” A: There are as many ways to incorporate what we practice into our actual musical vocabulary as there are ways to absorb... »

  • What To Practice When You Don’t Have Gigs

    What To Practice When You Don’t Have Gigs

    Q: My question to you is this: what do you do when you’re not playing with a group and have no gigs on the horizon, particularly what to practice? Without a set of songs or even a style to give the context of what the bass should be playing, I find myself grasping for inspiration... »

  • The Lightbulb Moment: Time Games

    The Lightbulb Moment: Time Games

    Game #1: The Record Release Show Round 1—Rehearsal Time There’s something invigorating about working with a new artist, especially when they’re releasing a record and learning how to adapt their songs to a live show. The drummer counts of the first tune and by the end of the chorus, the vocalist stops the band. “Hey... »

  • Dealing with Feeling Overwhelmed

    Dealing with Feeling Overwhelmed

    Q: How do you deal with feeling overwhelmed with everything you want to/feel you should be working on? A: I’ve written a column in the past relating to how to maximize your work flow and time management. I thought that I’d take a bit of a different approach this time, although I would encourage you... »

  • Recording Audio and Video

    Recording Audio and Video

    Q: I want to record audio/video simultaneously that I can easily post to social media. I’d want the range to go from solo bass pieces or pedal reviews recorded at home to live coffeehouse/house party “warts and all” mono live duo/trio recordings. I’d want to use two cameras for close-ups on the solo pieces/demos and... »