Bass Lesson Archives - Page 10

One of the important aspects of playing bass is your ability to groove. In this new lesson, I’ll offer up some beginner-level concepts to help you start down the path. We’ll explore keeping time and using percussive an ghost notes to make the lines come to life… the recipe for getting people out of their seats and dancing. Follow along...

Keeping up with this recent series of quick bass lick lessons, here’s a short groove in Em. I’m playing this with an open D string to achieve a note doubling effect. Follow along with the video and this transcription (PDF). For the gear heads: I’m playing a 1964 Fender Jazz bass with Dunlop nickel strings, gauge 45-105 running through a...

Here’s another quick lesson for you, this time focusing on a disco-style bass groove. As with any excercise, it is important to keep playing it without stopping until you find that groove. Follow along with the video and this transcription (PDF). The tempo on this one is 105 bpm. For the gear heads: I’m playing a 1966 Fender Precision bass...

Time to get funky. Here’s another quick bass lick lesson for you, centered around a pentatonic fill. Follow along with the video and this transcription (PDF download). If you want some background, there are a few lessons here covering pentatonic scales and patterns: Breaking Down the Pentatonic Scale: The Five Positions on Bass Improvising and Groove: Substituting Pentatonic Scales on...

I’m working on a new concept in double thumb slap bass, which basically is an “in reverse” technique. This means the “down” thumb is on the offbeat, and the “up” thumb is on the downbeat. This creates a whole new feeling worth exploring. You can follow along with the notation (PDF) and the video below. Let me know how it...

Bassist Damien Langkamer put together this funky video to teach us how to build on the groove. (And how about that tone?) Damien shares, “I’m taking a few simple groove ideas and expanding them each time round, to build on the groove. There’s two main ideas in this, a funky melody section and a choppy bridge section, both start off...

Here are some cool patterns for you to try out, using open strings for creating fast passages and note doubling. In the video demonstration, I first play it at full speed, followed by a reduced speed. Follow along with the notation/TAB (PDF). For the gear heads: I’m playing my 1966 Fender Precision bass (I don’t use the Jazz bass bridge...

Editor’s note: No Treble readers submitted questions to us for the next series of lessons by Thomas “MarloweDK” Risell. Several readers submitted questions about learning scales, intervals and patterns, as well as asking how I approach practicing them. In this installment, I try to cover all the basics. If you have questions or something you’d like to share about these...

Here’s a new bass lick lesson for you. This time around, we’ll work up a fill in E minor, using the B minor pentatonic to start, then adding the E minor Dorian scale with some chromatic notes thrown in. This is handy for those one bar fills you’ll want to incorporate in your playing, including your solos. The first part...

Pablo Elorza has published the second video in his “Deep Into Electric Bass Classics” series of bass lessons with an in-depth look at the popular Jaco Pastorius tune “Continuum.” After playing through the tune, Elorza explains the methods and techniques Pastorius used to create his melodies. The lesson is a great one for any music theory buff as well as...

One way to quickly become fluent in a key is to familiarize yourself with that key’s diatonic arpeggios, i.e. the arpeggios beginning on each note of the scale. Facility in diatonic arpeggios is also necessary for true improvisational freedom and fluency. I don’t suggest attempting this until you are comfortable with the originating scale. In today’s examples, that is C...

This time around, I have two lessons in one for you to try out. The first part touches on the concept of practicing with a metronome. In this example, the metronome is counting on beats two and four. To make this fun, the other part focuses around a sort of offbeat, Larry Graham-style rhythm. We tie it all together –...