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Effects Archives - Page 6

Gear Watch: Boss PS-6 Harmonist
Bass Gear

Gear Watch: Boss PS-6 Harmonist

Boss has announced the newest Harmonist pedal – the PS-6 – a compact pedal featuring pitch shifting effects and three-voice harmony. The new Harmonist has four effect modes, including Harmony, Pitch Shifter, Detune, and the new Super-Bend, which creates three- and four-octave pitch sweeps and pedal-bending effects. Super-Bend is controlled through the Shift, Rise Time, and Fall Time controls, but...

Gear Review: Pigtronix EP2 Envelope Phaser
Gear Reviews

Gear Review: Pigtronix EP2 Envelope Phaser

The EP2 Envelope Phaser is a rework of the Pigtronix’s flagship EP1, which they released six years ago. Though similar in concept, the new model really expands on its sonic capabilities and controls. The pedal, which features true bypass, is a phase shifter that is controlled by an Envelope (EF) or a LFO, giving you either that funky filter based...

Gear Watch: T-Rex Tonebug Phaser and Chorus/Flanger
Bass Gear

Gear Watch: T-Rex Tonebug Phaser and Chorus/Flanger

T-Rex Engineering has added a Phaser and Chorus/Flanger to their Tonebug line of effects pedals. The Tonebug Phaser features a mode switch to go between a Modern and Vintage sound, as well Rate and Depth controls. The Chorus/Flanger also has a mode switch, but chooses between the chorus and flanging effects. It also has both a Rate and Depth knob...

Gear Watch: Digitech BP90 Multi-Effects Processor
Bass Gear, Summer NAMM

Gear Watch: Digitech BP90 Multi-Effects Processor

Digitech released the new BP90 Bass Multi-Effects Processor as part of their appearance at the 2010 Summer NAMM Show. Powered by the AudioDNA 2 processor, the BP90 is built to digitally represent equipment including stompboxes, amplifiers, cabinets, and tons of effects. In all, it features 27 effects, 11 amps, five cabinets, and five stompboxes to choose from. Along with 50...

The Lowdown with Dr. D

The Lowdown with Dr. D.: EFX Questions for Upright Bass

Recently I got a series of questions from a upright bass player in Norway regarding amplification of the double bass and the use of electronic effects (EFX). Since I get these sorts of questions often, I thought I would print some of my thoughts here as part of the lowdown. If you have your own questions, feel free to send...