Effects Archives - Page 5

We first heard about Darkglass Electronics by way of the company’s flagship distortion pedal, the Microtubes B3K [check out our review here], and soon met proprietor Douglas Castro. Castro, who hails from Chile but is now based out of Finland, builds all of the pedals by hand. A bass player himself, Castro couldn’t get the sound he wanted from all...

Pigtronix has released the Class A Boost, designed to fatten any signal, from instruments to line level devices. The pedal includes discreet transistor topology to boost signals up to 20db without clipping. A flat frequency response from 20Hz to 20kHz ensures your bass’s sound is preserved. The company explains that the pedal’s design allows for noise free performance, and has...

Heavy Electronics has released a new bass distortion pedal named El Oso, which translates to “the bear.” The pedal is built for heavy tone and simplicity with only three intuitive knobs: Level, Mix, and Gain. El Oso’s distortion is blended with your dry signal via the Mix knob, which gives 100% dry or 100% distorted when turned either way to...

Tech 21 has unveiled a new two new Boost Chorus pedals, including a bass specific version. The new Boost Chorus Bass, which can be used to obtain slapback, echo, flanging, and doubling effects, was designed after ‘70s vintage choruses, to mimic their richness. To get a chorus sound without making “seasick tones,” Tech 21 added a Detune knob that adds...

Eden Electronics has released the WTDI pedal, a beefed up direct box/preamp fit into a 4.75”x 2”x3.5” package. The pedal features true bypass and both 1/4” and XLR outputs that allow you to go into a PA as well as directly into the power amp section of a rig. The design also lets you use it as a 2nd, 3rd,...

Digitech has unveiled their latest bass multi-effects pedal, the BP355. Featuring the same AudioDNA 2 processor as its relatives, the BP355 dishes out modeling of 20 amps, 17 speaker cabs, and more than 70 effects, ranging from distortion to envelope filters with nearly everything in between. It also includes 70 factory and 70 user presets, a Tone Library of 30...

Darkglass Electronics is now shipping their Microtubes B3K bass distortion pedal. The pedal features hybrid JFET and CMOS gain stages for a natural dynamic response, with Level, Drive, and Blend knobs as well as Attack and Grunt switches to dial up your sound. The Attack switch replicates the “Ultra Hi” option from many tube amps, and gives a treble boost...

I recently picked up the GR2 Envelope Filter from 3Leaf Audio and decided to give it a spin in front of the camera. This is a great little pedal that offers a lot of possibilities. For the demo, my set up includes: Bass: Sandberg California JJ Strings: Dunlop Nickel plated Medium gauge 45 -105 Amp: TC Electronic RH450 Cab: TC...

Empress Effects has just released a new phaser pedal that features an all-analog signal path that is controlled by a microprocessor, giving analog tone with digital control and adaptability. This allows for the classic sounds you’re used to, but its groundbreaking auto modes (envelope filtering, audio-triggered sweeps, rhythms and direct control) are what make it stand out. The Empress Phaser...

EWS has released their newest bass pedal, the Bass Mid Control. The aptly titled box controls the mid frequencies with an EQ that is adjustable between 120Hz-3kHz. The EWS BMC lets you cut or boost by +/- 12dB to shape your sound in the ever important mid range. The pedal can be powered by a 9-volt battery as well as...

A/DA has released their Reissue Flanger, which is a throwback to their original pedal that began shipping in 1980. The pedal retains the same Sweep Range, Speed, Enhance, Manual delay range, Even/Odd harmonics switch, and Threshold controls as the original, but now includes True-Bypass switching. The chassis, featuring heavy-duty casting and a cold-rolled steel bottom cover plate, was even created...

FEA Labs has announced their latest creation, the FEA Dual Band Distortion pedal, which utilizes a variable crossover, two distortions, an overdrive, and a final mixer all in one package. First, the variable crossover to split your bass signal into two frequency bands: high and low. From there, the low frequency band is sent to an octave-up distortion circuit, which...