Peat Rains returns with the fourth installment of his tour diary with You Bred Raptors? In this column, he covers their stops in Tennessee, Kentucky, West Virginia, and Pennsylvania.
The topic of this week’s “Ask Damian” column focuses on the topic of money. This is a frequent discussion on social media and elsewhere, and Damian dives in on the subject of “What I’m Worth vs. What I Can Get.”
Peat Rains is back with the 3rd installment of his tour diary with You Bred Raptors? In this column, he covers their stops in Austin, Texas, Monterrey, Mexico, Houston, Texas, and New Orleans, Louisiana.
Peat Rains is on the road (again) with You Bred Raptors? Here is Part 2 of his 2019 road diary series.
Peat Rains is on tour again with You Bred Raptors?, and he’s back with a brand-new tour diary series. Here’s part 1 of the 2019 series, with Peat sharing stories from the road.
Ryan is back with a new “Lightbulb Moment” column, this time focusing around the solo. And not just the bass solo, but what we can also do to support the drummer (and other soloists) too.
Making money making music can be a tough road. Sometimes, some of the options might feel like "selling out," which is exactly the focus (and question) for Damian's latest "Ask" column.
For this week’s “Ask” column, Damian decided to do it as more of a PSA - on musicianship, serving the song, and a trend he’s seeing that is sometimes counter to those things. Check out what he calls “Mugging for the Camera on Stage”
A reader is dealing with a bandleader (pianist) who is rewriting the bass parts and asking them to be played that way. He asked Damian for advice on how to cope with this situation. Check out what Damian has to say.
Some people call it “serving the song.” In Ryan’s new “Lightbulb Moment,” she talks about playing inside - and sometimes - outside the box, including covering the literal box patterns on bass.
Bassists abound in NYC. It’s not uncommon to get on the subway to see two other fellow bassists fighting for a spot with their low-end leviathans. And, you can be sure; these bass commuters can do it all – they can groove and solo. My first two columns have been about the former – the primary background responsibilities of the...
As jazz bassists, we know this scenario all too well: after taking their solos, the players in the front line head offstage, only to chat it up with each other until it’s time come back to trade or play the head out. Meanwhile, we’ve been playing non-stop since the downbeat. Frustrating right? Do they realize how much we’ve been playing...