Lesson Archives - Page 2

When learning to play your bass, an overkill of theory can often paralyze your results while performing. Many musicians have learned the theory of Tritone Substitution, but when trying to apply this information, they often end up short-changed. In this bass lesson, we’ll cover a simple but direct concept for the immediate application for Tritone Substitution based on the presence...

Using concepts derived from classical music, Joe delves into demystifying diminished patterns commonly used by jazz musicians, such as John Coltrane, Pat Martino, Jaco Pastorius and countless others. Follow along with this lesson’s notation (PDF) and video.

In this lesson, we will cover a basic concept for interval shapes to develop your technique, while attuning your ears to hear the root motion of common harmonic progressions in jazz. Follow along with the notation (PDF) and this video:

Here’s another lick to add to your bag of tricks. Once again, I’m using open strings as described in past lessons. This one is a groovy bass line you can play over a E7, E9 or E13 chord using the Em dorian scale with the Major 3rd added (G#). Omit the G# and use it over a minor chord/key. Follow...

Time to add another lick lesson to the series. This time around, our focus is on this funky fingerstyle bass groove, which is in the key of Dm or D7, using mostly the D minor Dorian scale with chromatic connecting notes. This lick also relies heavily on open strings, for fast note doubling (D on open string to D on...

Last time, we got down and dirty with a overdrive-charged rock bass groove. This time around, we’re going to get a bit more funky with a modern Gospel-style lick, complete with all the slurs and slides. This groove is based on B minor Aolian, which is a great key and mode for this setting, especially on a 5-string bass, which...

If you’re looking to rock it out on bass, using an overdrive pedal can really help achieve that edge you need. In this lick lesson, I’m pretty much playing the same bass line repeatedly, but with different note lengths in the different sections: short note duration for verses, and long not duration for the chorus. This lick is in the...

As bassists, it is important that we know our chords and arpeggios. Coupled with that is the importance of knowing the entire fretboard. In this exercise, we’ll play only three notes – the C Major triad. To make it fun, I’ve set it up as a reggae-style groove. As you’ll see in the video below, I cover the entire fretboard...

Changing things up a bit this time around with a funky 5-string bass groove (which can also be played on a 4-string). The fill is based on the Em Dorian scale (E F? G A B C? D) and uses the open strings for a doubling effect. The doubling effect is something we’ve tried before (see: Soul/Funk Fingerstyle Bass Groove...

We’re taking a bit of a detour from our regular bass lick series lessons to work on moving around the fretboard and playing a line through all the keys. In this lesson, we’re going to start with a lick in A minor, and work through the cycle of fifths. Each key lasts four bars each. Follow along in the video,...

I’ve found many bass players have difficulty with transposing bass lines, so here’s a lesson that should help. Transposing on bass isn’t terribly difficult, since we can rely on shapes and patterns up and down the neck, to play a line in several keys. In the video below I demonstrate how to navigate the neck, playing the same pattern over...

Here’s a new lesson in our ongoing series of bass lick lessons. This time, we’ll play around with a minor pentatonic, in the key of A. In the video below, I play the lick at full speed, followed by a demo at a reduced speed. Follow along with the video and this transcription (PDF). If you’d like a refresher, check...