Practicing Archives - Page 9

If you are really serious about improving your bass playing, at some point you are going to realize that you need to have a solid practice plan in place. Merely working on a random variety of exercises or picking up your bass arbitrarily between performances will not put you on the fast track to solid and consistent progress. The Importance...

Q: Is there any benefit in mastering two (or more) types of basses? I have a 5-string fretted that is my primary instrument, and that’s the one I take out of the “shed.” After finding a great deal on a fretless 4-string at a pawnshop, my thought was this bass would be perfect for playing jazz, and I started studying...

When playing the bass, flexibility is far more important than strength. In fact, if body mechanics and gravity are used intelligently it takes surprisingly little strength to play our instrument. Flexibility, however, is paramount to many of the things we must do well. In the left hand (or fingering hand for the lefties!) it is especially important. Lack of flexibility...

Q: Like a lot of the guys out there on the scene, you make a living playing a wide variety of styles. I have a hard enough time trying to play well in any one style of music. How do you get so comfortable in so many different kinds of musical settings? A: I think that a part of it...

Q: I’m looking to make my phrasing more dynamic. What would you suggest? A: For this week’s column, I decided to make a little video to answer this question, and demonstrate what I do to work on my phrasing. Check it out:

Q: I have recently begun playing with a pop artist who writes what I would call “chord heavy” songs. These are not your typical I-IV-V tunes, and they definitely aren’t “riffy”; they are tunes with intricate verse and chorus progressions and extended bridges. I have been going off the lead sheets for now, but my question is how can I...

Q: I have been playing upright for about a year and wanted to know what I can do about developing speed. I mostly play jazz and at the college I go to it seems like everyone wants to play uptempo tunes (Charlie Parker, Rhythm Changes, etc.) I feel as though I’m falling behind trying to stay with the tempo and...

Q: What do you think about Jeff Berlin’s approach to teaching music, specifically: no metronomes? A: Uh oh… This could mean trouble! Here’s my spin on it: I think different things and methods work for different people. I disagree with Jeff’s statements that metronomes are bad for everyone. I think he has a bit of a habit of speaking in...

Q: Do you have any exercises that might help with playing in one position on the fretboard? I have a hard time getting away from reorienting myself from root to root. A: I would suggest starting with exercises you’re already familiar with, and adapt them to a single position. I frequently have my students do this, and have them force...

Q: What would you recommend as great resources for learning theory? I’m not someone who lacks in imagination or creative drive or even feel. I’m more of a groove player, and I’ve never stopped to get any formal grounding with modes, harmonizations, relationships of scales and arpeggios and putting that together for a given tonality. I’d appreciate any recommendations for...

Q: I have question about how to practice and apply modes that is killin’ me. We are constantly being being bombarded with the concept of getting away from root in our playing and practice. For instance, scale finger pattern 4 starting on the 3rd fret of the E string is like G A B C D E F G A...

Q: My amp and most of my gear got confiscated when I got to college because they said it was a fire hazard. What do you recommend for some amp-less ways for me to get my sound amplified? I really have no idea. A: My first question is: what kind of amp did you have that was such a fire...