Scales Archives - Page 3

Q: How do I get myself unstuck from using the blues scale? Whenever I solo in fingerstyle or slap, I can’t help but to be stuck on the blues scale. I want to move on from it. Also, when I’m doing slap, I stick to octaves, but I want to be able to do different intervals and move around a...

Q: Recently I’ve been struggling with scale degrees and chords. Right now I practice my scales using in 3rds, 4ths, 5ths, etc. However my problem is being able to name the notes of the scale because for the most part I have memorized scales based on patterns (like how playing E major is the same as A major, just on...

Q: I’ve been trying to learn how to figure out what notes are available for any given chord type. I’ve read columns here (yours are very helpful), Googled it, bought books… I just seem to get more confused at every turn. Once I think I’ve got it, I’ve lost it. Do you have any quick and dirty tricks for remembering...

Q: I’ve been trying to learn how to play over the changes, but I’m super confused about one particular aspect: I don’t know I should think of scales. For example when I’m playing over a G dominant chord, should I think G mixolydian or should I think fifth mode of the C major scale? In other words, should I treat...

Q: I was wondering what I need to pay attention to when practicing. It’s easy to learn a scale, or to play chord tones, but what should I really pay attention to hearing more? Should that be a focus on the tones, or the difference in intonation or the “feel” between them? A: The short answer is this: You have...

Q: I hope that you’ll be able to explain this problem. I learned so far that major and minor scales have certain patterns (i.e. minor steps: W,H,W,W,H,W,W). Now, I’ve moved to modes and, for example, the Lydian mode. Does it have the same pattern for minor scale? I found some other patterns on the web, and now I’m confused. It’s...

Q: I’m lucky enough to attend a college with a robust and demanding music department, and like a lot music in academia, this means I’m playing a fair amount of jazz. I’ve been a fan of the genre for a long time, but I am new to playing it and seem to have run into a problem with improvising and...

Editor’s note: No Treble readers submitted questions to us for the next series of lessons by Thomas “MarloweDK” Risell. Several readers submitted questions about learning scales, intervals and patterns, as well as asking how I approach practicing them. In this installment, I try to cover all the basics. If you have questions or something you’d like to share about these...

Jazz ScaleHelper is, at it’s essence, a discerning ear. The app listens to you play your scales and arpeggios and gives you feedback on what you just played, as well as a grade. It judges your note stability, intonation, time and shows you how many notes per minute you played. The app’s analysis screen presents your scale in notation. My...

Hal Leonard has added Carlo Mombelli’s Intergalactic Bass method as their latest book in their Bass Instruction series. The comprehensive, 240-page book is based on the premise that in order to play music, one must have a solid handle on scales and arpeggios. A bassist, composer and educator, Mombelli said he searched for a book on scales and arpeggios to...

Last time, we took a look at some basic exercises aimed at expanding fretboard knowledge through the use of the pentatonic scale. For this lesson, we’ll cover more advanced patterns and build on what we’ve started in the first part. Be sure to download the PDF for these exercises (standard notation and TAB included) so you can follow along and...

Here’s a great exercise aimed at expanding your fretboard knowledge. For this lesson, we’re going to use the five positions of the A minor / C Major pentatonic scale. The pentatonic scale contains five notes, of course, and you can play this from different positions. Learning these patterns will significantly increase your fretboard knowledge. Here’s how it breaks down, taking...