Scales Archives - Page 5

The Blues Scale. Why do so many players talk about this as the quintessential soloing tool? Have you ever wondered why the blues scale doesn’t always sound good while being played over a blues progression? Aren’t you looking for something more “realistic” in terms of an approach for soloing? Although this column is starting to sound like an infomercial proposing...

Q: What are modes and how do they work? A: I get this question a lot, but have only touched on it in past columns, as it relates to other questions. Here’s a straightforward guide to modes and scales to follow. Modes are a very simple concept but can take some time to really understand and get under your fingers...

Q: I’ve been reading a lot of posts online and doing searches about which scales work over what chords. I’ve found a lot of good information, but I’m not really sure how to actually practice and internalize the information once I have it. Any advice? A: This is something that I’ve been working on with my students at PSU (Portland...

Hal Leonard has released Bass Aerobics, a new book in their Bass Builders series, offering a 52-week, one excercise per week workout program for bassists. Authored by bassist Jon Liebman, Bass Aerobics focuses on developing, improving and maintaining technique on the bass guitar, for beginner through advanced players. The 112 page book is designed to increase speed and improve dexterity,...

Bruno Tauzin has authored three new bass method ebooks, Fretboard Mastery. Each book is designed for common bass configurations, from 4- to 6-string instruments. Fretboard Mastery: 4 String Arpeggios Fretboard Mastery: 4 String Arpeggios starts out with a section on theory, and includes chord and scale construction, different triads and seventh chords, all designed for 4-string players. The 46 page...

Musicians Institute has released Jazz Bass Improvisation, written by jazz bassist Putter Smith. The book offers approaches to chords, scales, arpeggios through detailed practice routines and techniques to help advance practical techniques, improvisation concepts, jazz theory, chord studies and scale patterns. The method is suitable for both electric and upright players. The book ships with a companion CD, featuring 34...

Q: Scales… everyone should practice scales. But which scales? For someone that’s beginning to play or even some that has been playing for a long time, this can be a dilemma. How do you practice them? How do you implement them in your playing? A: Great question. Of course, everyone should know their: 1. Major scales 2. Minor scales …as...

In this third and final installment of the Practice Tips for Scales series, we continue our look at the Major tetrachord formula to practicing scales. (Be sure to check out Part 1 and Part 2). This week, we dive into arpeggios, using consistent patterns to repeat on the upper register of the neck. Once we get comfortable with the pattern,...

This week, we’re continuing where we left off with Part 1 of this series, covering the Major tetrachord formula to practice scales. This week, we expand on the basics by covering various finger patterns and covering the entire neck. As part of this exercise, we’ll also skip notes in the scale, playing in thirds, fourths, fifths, and so on, to...

Practicing scales in a musical way helps keep things interesting. In this lesson, we kick off with some tips for practicing scales by using different intervals, arpeggios and fingerings. We’re also introducing a new approach to looking at the Major scale formula. Normally, we view it as 7 different steps (8, if you count the octave): G A B C...

Aebersold Jazz has released Bebop Scales: Jazz Scales And Patterns In All 12 Keys, a new method book by Joe Riposo. The 48-page book covers Bebop scales and patterns in all 12 keys of the Major, Minor, Dominant 7th, and Locrian (Half-diminished) scales and is designed to help the player hear, use and understand Bebop scales more efficiently, and apply...

Q: Is there anything outside of the norm that you are working on or thinking about with your musical explorations? A: Actually, in the May issue of Bass Guitar Magazine (UK), Franc O’Shea (his columns are always enlightening and thought provoking), wrote an interesting piece on dividing the chromatic scale and giving every semi-tone a pulse in a bar of...