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Transcription Archives - Page 3

Stuart Clayton: “Merciless” Bass Tutorial and Transcription
Bass Videos

Stuart Clayton: “Merciless” Bass Tutorial and Transcription

Stuart Clayton is back with another transcription and tutorial, and it is killer. “This video is a demonstration of Billy Sheehan’s killer bassline on the classic Mr. Big song ‘Merciless,'” Stuart shared. “The line was performed on a Yamaha Attitude Ltd bass, with the volume for each pickup turned up full. The P-bass pickup was recorded through the EBS Billy...

Stuart Clayton: “Hump de Bump” Bass Tutorial and Transcription
Bass Videos

Stuart Clayton: “Hump de Bump” Bass Tutorial and Transcription

Stuart Clayton is one hard-working bassist and educator. Here’s a new lesson he’s just released, covering how to play Flea’s bass line on Red Hot Chili Peppers’ “Hump de Bump.” Check out the video and be sure to download the full transcription from Stuart’s Bassline Publishing website.

Bass Transcription: Horace Panter’s Bass Line on “Ghost Town” by The Specials
Transcriptions

Bass Transcription: Horace Panter’s Bass Line on “Ghost Town” by The Specials

The Specials were perhaps the defining band of the late 70s British Ska movement, and they had a run of hit singles and albums between 1979 and 1984. Their band leader and principal songwriter Jerry Dammers was also the founder of Two-Tone Records, an independent label that helped to push the genre into the mainstream. The Specials were a multi-racial...

Bass Transcription: John Giblin’s Bass Line on “Babooshka” by Kate Bush
Transcriptions

Bass Transcription: John Giblin’s Bass Line on “Babooshka” by Kate Bush

Kate Bush came from a very musical family, and at eleven she taught herself to play the piano. Soon after this she began to write songs and at sixteen she recorded a demo of fifty compositions and sent them to prospective record companies, but this did not lead to any offers. However, a family friend had a connection with Pink...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 4
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 4

Our fourth installment on Bob Mintzer’s “I Start With The Blues” solo is a discussion of the crucial chord on bar 8 of a typical jazz blues. Almost always this is a vi chord – so in an F Blues like this one, it’s a D7 ( D dominant 7). In Letter A Bar 8 finds a D7 #9 chord...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 3
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 3

Don’t be afraid to make some notes on your transcription! By that I mean to write in where there’s a cool diminished lick, a nice ii-V line, etc. If there’s a cool lick – outline that, and identify stuff you want to come back to. It’s so valuable to learn licks through the cycle of 4ths, so we’ll be taking...

Bass Transcription: Andy Fraser’s Bass Line on “Mr. Big” by Free
Transcriptions

Bass Transcription: Andy Fraser’s Bass Line on “Mr. Big” by Free

Free was formed in 1968 in London, and they followed in the footsteps of bands such as Cream and Fleetwood Mac, who grew out of the British Blues Explosion of the mid-sixties. By moving away from some of the restrictions of the genre, Free (alongside Led Zeppelin, Black Sabbath, and Deep Purple), helped to define British heavy rock music of...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 2
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 2

For our second installment focusing on Bob Mintzer’s solo from “I Start With The Blues,” we’ll be focusing mainly on transposing a line through different keys and why we do that. This is really important and something I touched upon in part one, too. It goes without saying that jazz standards and indeed tunes from all genres are in different...

Bass Transcription: The Jackson 5’s “Have Yourself A Merry Little Christmas”
Transcriptions

Bass Transcription: The Jackson 5’s “Have Yourself A Merry Little Christmas”

Note: It is not certain who the bassist was on The Jackson 5’s “Have Yourself A Merry Little Christmas,” but it’s likely to be Wilton Felder, who played on many of their early recordings after they moved to Los Angeles in 1969. There’s relatively little information about the studio musicians who worked for Motown in L.A. during this period, so...

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 1
Creative Bass Lines

Bass Transcription Analysis: “I Start With The Blues” Bob Mintzer Sax Solo, Part 1

I’m kicking off a new series here for Creative Bass Lines. In this episode, we’ll take a look at a really great solo over a jazz 12 bar blues – performed and transcribed by sax great Bob Mintzer! We’re really fortunate to have this music for our lessons. Bob very kindly agreed to let me share this with you, so...

Bass Transcription: Ronnie Lane’s Bass Line on “Itchycoo Park” by The Small Faces
Transcriptions

Bass Transcription: Ronnie Lane’s Bass Line on “Itchycoo Park” by The Small Faces

Ronnie Lane was born in Plaistow in East London on April 1st 1946. As a teenager, his father had encouraged him to play the guitar as “he’d always have a friend”. At first, he played skiffle, a type of rough country blues popular in the UK in the early 1960s, but he was also influenced by The Shadows and The...

Bass Transcription: Mattia La Maida’s Solo Bass Arrangement of Stevie Wonder’s “Superstition”
Transcriptions

Bass Transcription: Mattia La Maida’s Solo Bass Arrangement of Stevie Wonder’s “Superstition”

The first thing we have to consider to play this arrangement is the accents. The trick is to emphasize the 2nd and 4th movement, just as a drummer would do with the snare drum. To do this use the “strum” technique (think Stanley Clarke in School Days), accenting the 2nd and 4th movement where I can try to keep it...