Transcription Archives - Page 3

We’re thrilled to welcome back Tim Fletcher, who is starting a new bass transcription series on the “Unsung US Bassists.” Tim is kicking things off with his transcription and analysis of Doug Haywood’s bass line on “Late for the Sky” by Jackson Browne.

With producer and mentor Chas Chandler in control, and holed up in Olympic Studios in London, the early sessions for the album had been relatively straightforward, and the band had recorded basic versions of “Crosstown Traffic” and “All Along the Watchtower” before setting off on their early ’68 North American tour. On a break from their schedule, a short recording...

Ewen Vernal was born in 1964 into a musical family in Glasgow, Scotland. His mother was a vocalist, and his father played saxophone and also led a local choir. Ewen’s early musical experiences focused on playing the piano and singing, but this changed during his teenage years after he found an old acoustic guitar in his loft. Although only the...

The Jam was a very successful British band that achieved considerable chart success, with 18 top 40 singles and four number ones. They also released six top 20 albums and gained wide critical acclaim for their song-writing. Although their early hits were considered New Wave, the band blended a wider range of influences into their material than many of the...

Anthony Jackson is one of the most versatile bass players in the music scene and a real innovator in the 6-string bass (or contrabass guitar) that he developed in the seventies. He is known as a session musician working with artists like Diane Ross, Chaka Khan, Steely Dan, and Steve Khan, but he made a very important body of work...

Culture Club is a very successful British band that had immense popularity around the world, selling over fifty million records. They were formed in 1981 and were led by vocalist Boy George (George O’Dowd) whose flamboyant androgynous style and sharp tongue attracted huge media interest. The band was considered to be part of the British “New Romantic” movement of the...

Stuart Clayton is back with another transcription and tutorial, and it is killer. “This video is a demonstration of Billy Sheehan’s killer bassline on the classic Mr. Big song ‘Merciless,'” Stuart shared. “The line was performed on a Yamaha Attitude Ltd bass, with the volume for each pickup turned up full. The P-bass pickup was recorded through the EBS Billy...

Stuart Clayton is one hard-working bassist and educator. Here’s a new lesson he’s just released, covering how to play Flea’s bass line on Red Hot Chili Peppers’ “Hump de Bump.” Check out the video and be sure to download the full transcription from Stuart’s Bassline Publishing website.

The Specials were perhaps the defining band of the late 70s British Ska movement, and they had a run of hit singles and albums between 1979 and 1984. Their band leader and principal songwriter Jerry Dammers was also the founder of Two-Tone Records, an independent label that helped to push the genre into the mainstream. The Specials were a multi-racial...

Kate Bush came from a very musical family, and at eleven she taught herself to play the piano. Soon after this she began to write songs and at sixteen she recorded a demo of fifty compositions and sent them to prospective record companies, but this did not lead to any offers. However, a family friend had a connection with Pink...

Our fourth installment on Bob Mintzer’s “I Start With The Blues” solo is a discussion of the crucial chord on bar 8 of a typical jazz blues. Almost always this is a vi chord – so in an F Blues like this one, it’s a D7 ( D dominant 7). In Letter A Bar 8 finds a D7 #9 chord...

Don’t be afraid to make some notes on your transcription! By that I mean to write in where there’s a cool diminished lick, a nice ii-V line, etc. If there’s a cool lick – outline that, and identify stuff you want to come back to. It’s so valuable to learn licks through the cycle of 4ths, so we’ll be taking...