Ask Damian Erskine - Page 41

Q: Can you help me get away from the standard root position chords that I already know? A: Hopefully, yes! The following will presume an intermediate level of understanding of chords and basic theory. But, if you’re working on this stuff, you’ve probably already got at least enough of a grip on it to follow along. Give this a shot!...

Q: I’ve recently found myself really inspired by guys who play a lot less notes and leave a lot more space in the music, in particular Charlie Haden. I was wondering how you would approach playing less/leaving more space yet still creating a bass line that is interesting, enjoyable and challenging to play? I was also wondering if you thought...

Q: How should I go about developing longer solo ideas? In my solos I’m having trouble playing fast lines for more than a couple bars or so. I feel like I can really let the conversation flow by using lots of long notes broken up by short (maybe 4-ish bars at most), quick “chopsy” phrases. When I try to keep...

Q: Any tips on becoming a more melodic player? I think there are a bunch of guys like me: “Average Joe’s” playing in a cover band setting where the chord changes are basic and we hit a brick wall after our triad or major scale/pentonic patterns run out. A: If your playing opportunities don’t allow for much exploration of your...

Q: I’m trying to grow, but its like I’ve hit the wall. I’m trying to play like a bass player is slipping away from me. I try to play for everyone, but it’s hard to find my own “voice” in the song. I find myself trying to play stuff where it doesn’t fit. How do i dig deeper than I...

Q: I’ve almost gotten through all three videos, really good stuff in them. I really like the concept of knowing patterns/visualizations to have handy when your soloing, like your ascending 4ths, alternating major/minor, and alternating 6th/7th fingerings. I think I got away from having a set of licks/patterns when improvising, which I can see now is a big mistake! Seems...

Q: I am in the process of getting endorsements, but I want to know what the most effective way to get it done right the first time. I was at NAMM this year and spoke to a variety of people just to meet and greet, but I didn’t ask for artist endorsements. I have an EPK (pics, vids, recordings, and...

Q: What scales are best to know for improvising and how can I go about trying to memorize them? A: Although it is important to learn your major and minor scales as well as all of the others (melodic minor, harmonic minor, blues scale, etc.), I’ve found that scales don’t really help me at all. I also find that guys...

Q: I have a question regarding funk slap bass techniques. Are there any certain key techniques to doing this? I listen to a lot of bass-heavy funk lines in music and want to play them, but the speed at which they are able to do that stuff is incredible. I have often wondered if I am too heavy with my...

Q: Do you know how to read a lead sheet? What is a good way to learn how to play with a lead sheet? A: Learning to navigate a lead sheet is one of the most useful and important things a working musician must get comfortable with. While lead sheets seem to baffle many musicians who are unfamiliar with them,...

Q: I have a question. How do you go about soloing for various styles? Quite often I get the nod to do a solo for 4/8/16 bars. I’ve tried approaching by working out what key I’m in and then by trying different modes… but it just seems that my phrasing is limited and that it never seems to have a...

Q: I’d like to learn to create walking bass lines. I don’t read music so tabs would be preferred. A: Learning to walk is immensely helpful in so many ways. It helps you see the inter-connectivity between chords, helps develop a good time-feel and helps you explore how the arc of a line can affect the feel of the music....