Columns - Page 81

Here’s a question I received recently from Miguel G., and one I hear often: Q: Someone told me you use a super-heavy bow. Is this true? Can you tell me what this is all about? A: This is a very expansive subject, but here’s a bit of an introduction to the topic. It is true that my bow is heavier...

Q: I’d like to explore some ear training to improve my ability to hear intervallic relationships. Any good ideas? A: Simply put, ear training is exactly that: better training your ears to understand what you’re hearing. I find transcription to be the most entertaining way to develop my ears. I like to listen to what I want to transcribe over...

This week, we continuing the series on the making of Orchid, a custom bass by Rick Toone. If you missed it, check out Part 1. Rick Toone tells the story on the making of this custom bass. Machining Bridges I devoted the past several years to designing, patenting and developing an integrated line of premium instrument hardware for guitar and...

Q: I am interested in finding out how to get into teaching. For example: What do you recommend about knowledge of theory, scales, modes, etc.? A: This is kind of an interesting one… Of course, the more you know the better (as a player or teacher), but many do fall into a bit of a trap with the “but do...

My jazz students and I often work through a process we call “The Treatment.” It’s a tune-based approach and I view it as a preparation for high-level study of improvisation. Once you can navigate a tune using the Treatment, you can more easily work on musical and artistic elements of improvisation. I adjust the Treatment to suit a student’s individual...

I get a lot of emails asking about how to play certain grooves from some of my tunes. I have a new book coming out that deals with many of my techniques, and I explain them in the same way drummers explain drum rudiments. The book will include an mp3 CD with over 100 tracks of all of the exercises...

A few months ago, a dear friend gave me an incredible gift. He hired Rick Toone, a luthier, to build a custom bass for me. Since the age of 15, I’ve been a Fender guy. I have a couple of 70’s Precisions, a more recent Jazz, and even a low-cost Fender acoustic bass guitar. So the idea of designing my...

Q: I have a hard time not sounding stiff when focusing on my time. Any suggestions? A: I’ve been noticing this phenomenon lately, especially with students who are working on various cello suites. There’s a tendency to try and play the piece metronomically as opposed to musically. Remember that, while we are expected to have good time, we are also...

There are a number of variables to consider in the search for your ideal tone. To date, we have discussed options relative to amplification. Key among the variables that impact bass tone is pickups thus this column concentrates on pickups. While there are many things that contribute to the timbre and tone of your bass (tone woods, strings, etc), pickups...

When improvising, we are freest when we have deeply internalized a song on multiple levels. Before we can improvise the “solo to end all solos,” however, we must have fully assimilated the tune. The fewer rudimentary thoughts we must hold in our mind (such as: what scale goes with this chord?, what fingering can I easily execute? what does F#...

Q: I wanted to know if you have any advice for players like me who still work a full time 9-5 but want to eventually move to playing professionally. My goal is to session/sideman and teach, but opportunities are harder to come by and I’m having trouble getting my foot in the door. A: Man, it’s a tough biz! A...

Over a decade since their formation, The Bad Plus (known for their ingenious jazz takes on rock, pop, electronica and contemporary classical tunes) have released their first record entirely consisting of originals, Never Stop. The piano, bass and drums trio have a special empathy from their decade together and make a great range of sounds creating their own genre drawing...