This week we’re checking out a cool four-string bass by CP Thornton Guitars. Luthier Chuck Thornton built this bass, numbered B-034, with a swamp ash core with killer slabs of 5A Eastern Maple for the top and back.
BASS OF THE WEEK: The Duke Ellington School of Arts in Washington, D.C. has produced numerous famous alumni. The high school got a major renovation in 2016 and now, with the help of another alumnus, a piece of the school will always be in the hands of a bassist.
One look at this bass and you’ll know its inspiration. However, Rick Wilson of Moonshine Custom Guitars went way beyond replicating the paint job from Eddie Van Halen’s infamous Frankenstrat. The four-string tribute takes every little detail about the guitar and its scars into consideration.
I love checking out all the basses people post on Instagram, but this one made me stop scrolling. This Alchemist 4/32 by Owl Bass Guitars first caught my eye with its killer claro walnut top.
PHD Bass Guitars luthier Parizad Hatcher recently shared photos of her latest creation for bass master Kai Eckhardt, and it’s stunning. Built as a signature model, the bass is a single cut fretless featuring some amazing woodworking.
This week we’re taking a look at a short scale bass from Kinal Guitars called the Kompact 4. Luthier Michael Kinal builds the scaled-down hollow body with a variety of woods.
Gert Simso of Tüi Instruments builds instruments out of local woods found on his home island of Muhu, including his Muhu bass. With all the interesting woodwork, it may take a minute to realize this is actually a three-string bass!
This week we have two basses of the week, although they are the mirror reflection of each other. Hayden Lassila of Lassila Guitars calls the model the Antipode. With one right-handed and one left-handed version, the bass lives up to its name.
Luthier Eric Doucet of Cosmic Woodworking posted some photos of his latest build in the No Treble Facebook group, and people took notice. The Jupiter bass has a lot going for it, but the choice of woods is a knockout.
It’s always refreshing to see bass builders thinking outside the box. This week we’ve got a great example of that with the Not Pear by Wes Urbaniak. The thin-bodied acoustic bass takes on a violin-esque shape, but every single Not Pear is different from the next.