The old adage is true: so many basses, so little time. That’s why we’re bringing you the “Bass of the Week,” a column featuring low-end instruments ranging from beautiful to bizarre. Have a bass you think we should feature? Drop us a note at [email protected]
Thundercat’s bass is as unique as his playing, so this week we’re taking a look at his signature model from Ibanez. The massive six-string hollow body is made in the company’s Japanese custom shop with curly maple for the back and sides and quilted maple for its top.
Master luthier Gerald Marleaux is celebrating the 30th anniversary of Marleaux Basses this year, and he continues to experiment and dream up new instruments. This week we’re checking out the MBass Big Hollow 5-String Fretless.
Many entry-level basses are built in factories in Indonesia, but the country also has plenty of highly skilled luthiers. This week we’re checking out the Odieng Red Viper 5 that is absolutely decked out.
Sander de Gier is often asked for a lightweight bass, especially in his vintage-styled Soulmate model. In order to achieve a lower weight, he explored different body woods and built three basses that are otherwise identical.
Jackson’s X Series features versions of their classic designs with modern upgrades in playability in an affordable package. Their Concert bass shape got the treatment several times over, including this X Series Concert Bass CBXNT IV in a cool matte army drab finish.
Today we’re featuring a gorgeous bass sent in by its owner, Apok Folken. His Wreck Guitars Hope 6 is the second instrument he got from the builder.
This week we’re looking at a short-scale ROOM 4 bass recently completed by Kristall Basses. Handmade in Germany, the instrument is built entirely from maple and Pau Ferro.
Ever since restarting his business a few years ago, it’s been a blast to see Bud LeCompte’s new builds. One of his latest basses is a special JSS-4 he’s keeping for himself.
Steve Smith of m7 Bassworks shared his latest build called the Type [M]. The model, which won a Talkbass build-off, is the luthier’s take on a modern bass.
Today we’re featuring a bass submitted by Stijn Deldaele, who is a professional bassist that took up building over the past few years. His craft has grown, leading him to build under the name “monkey bassness”.
This week we’re checking out the Corona P50 by Indonesia’s Fad Guitars. Despite its name, the bass was introduced last year as their first-ever hollow body bass.
Yves Carbonne has a unique playing style that warrants some unique instruments. This week, we’re taking a look at his new Quintessence, which is a six-string fretless acoustic built by luthier Nico Dayet.