Bass Gear - Page 190

Time for another roundup of the most popular bass gear stories of the month. Here are the No Treble reader favorites for the month of December, 2015. As always, this comes with a warning: may cause GAS. Thanks for reading, commenting and sharing. 1. Boulder Creek Travel Bass Boulder Creek’s Solitaire series of acoustic/electric bass guitars has gotten a little...

France’s Luthman Basses celebrated their 10th anniversary in December 2015 with a special version of their Lady M model, and now it’s our bass of the week. The company went all out on the bass with a highly figured burl camphor top with a “wave opening” over a flamed maple body, all finished in a maxi high gloss. Its seven-piece...

Sonoma Wire Works has unveiled the GuitarJack Stage and StudioJack Mini, a pair of audio interfaces compatible on Mac, PC, iPhone, iPad, iPod Touch, and Android systems. Each model features dual in and out jacks with 24-bit/48kHz AD/DA converters. Their mono Hi-Z 1/4-inch inputs are suitable for bass or guitar, while a second stereo mic/line 1/4-inch input is aimed at...

After launching its initial product line earlier this year, Genzler Amplification has unveiled their first amp. The Magellan 800 is an 800-watt that features clean and drive channels for gig versatility. The front of the amp has Mute and Pad switches with separate volume controls for each channel. Its 3-band EQ includes a parametric mid control, and larger sculpting can...

This week we’re checking out a fanned fret design by Ploughman Guitars in Serbia. Luthier Radovan Jovicic built the bass with a multi-scale ranging from 33 inches to 35 inches. It’s built with neck-through construction featuring a maple and mahogany neck and wenge fingerboard with mahogany binding. The body wings are a sandwich of mahogany, white ash, and heat treated...

This week we’re checking out a six-string Glade model from Mana Basso custom basses. The gorgeous singlecut bass features a Padouk, Wenge and Swamp Ash body matched to a Wenge, Padouk and Flamed Maple neck for a rich textural palette. Its Birdseye maple fretboard leads your eye to the bass’s carved headstock, which is made as part of the neck...

Electro-Harmonix has expanded their series of looping pedals with the 720 Stereo Looper. Featuring 720 seconds (12 minutes) of stereo recording time, the pedal includes ten independent loops and unlimited overdubbing for flexible looping. The looper has 24-bit A/D/A converters and a sample rate of 44.1kHz for high quality audio. Its controls are streamlined with a Push:Mode button that toggles...

The AKAI Deep Impact is one of the most sought after synth bass pedals around. Discontinued years ago, the pedal is often seen selling for $800 or more. Now the Deep Impact’s designer has announced the next generation of the synth pedal with the Future Impact I by PandaMidi. While the Future Impact I is able to reproduce all nine...

When our Instagram friend Eric Fortaleza posted a picture of his beautiful 1959 Gibson EB-2 Bass, we had to ask him to share his story with us. In this edition of Old School, we get the scoop. Here’s the story… How long have you owned it? Since Christmas 2013. I decided to buy myself a Christmas present. How did you...

Looking to save some room on your pedalboard? KLIQ Music Gear has unveiled the compact TinyTune pedal tuner, which measures up at 3.66″ by 1.5″ by 1.22″. Weighing 4.3 ounces, the TinyTune has a tuning range of A0 to C8 with tuning precision of ±0.5 cents. Other features include flat tuning up to four semitones, A4 calibration between 430 and...

Many people know bassist Yves Carbonne for his incredible playing on extended range instruments with up to 12 strings. Most can enjoy the music, but some can’t get past the number of strings on his bass. After musing online about the merits of how many strings a bass should have, Carbonne teamed up with luthier Jon Letts to create the...

Fredric Effects have introduced the Deeply Unpleasant Companion, a bass fuzz pedal that builds upon the Shin-Ei FY-2 Companion Fuzz. The new model has a modified circuit to preserve more low end frequencies, plus a new clean blend function for mixing your direct signal with the dirty signal. The pedal also has a volume boost circuit to avoid volume drop...