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Bass Lessons - Page 18

Tapping Grooves: Vol. 1 Transcription and Lesson for 4-String Bass
Tapping Technique

Tapping Grooves: Vol. 1 Transcription and Lesson for 4-String Bass

For those of you who are interested in learning the tapping technique, Josh Cohen is sharing a transcription and lesson video from his new book, “Tapping Grooves: Vol. 1”.

The Brown’stone: How To Learn Major & Minor Scale Sequences Using Numbers
The Brown’stone

The Brown’stone: How To Learn Major & Minor Scale Sequences Using Numbers

This week in The Brown’stone on No Treble, Rich Brown shows us some of his favorite sequential patterns on major and minor scales. He also teaches us what has always been the best way to learn and internalize these patterns for himself.

Keep It Groovy: How To Play The Bass Line To “Cissy Strut”
Keep It Groovy

Keep It Groovy: How To Play The Bass Line To “Cissy Strut”

Ryan Madora’s newest “Keep It Groovy” bass lesson is here, and she’s featuring one of the all-time grooviest of bass lines: “Cissy Strut” by The Meters and George Porter, Jr.

The Brown’stone: Sequential Scale Patterns – Part 1: The Power of Three
The Brown’stone

The Brown’stone: Sequential Scale Patterns – Part 1: The Power of Three

This week in The Brown’stone on No Treble, we’re talking about Sequential Scale Patterns. There are so many of these crazy patterns to keep us busy. Rich takes us through two of his favorites.

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Keep It Groovy: How To Play The Bass Line To “Ain’t Too Proud To Beg”
Keep It Groovy

Keep It Groovy: How To Play The Bass Line To “Ain’t Too Proud To Beg”

Ryan Madora has a new bass lesson series on No Treble. “Keep It Groovy” kicks off with a lesson on how to play James Jamerson’s bass line on The Temptations “Ain’t Too Proud to Beg”.

The Brown’stone: Strengthen Your Left Hand Technique
The Brown’stone

The Brown’stone: Strengthen Your Left Hand Technique

This week in The Brown'stone on No Treble, Rich Brown is focusing specifically on left-hand technique. He walks you through a couple of great exercises that will help to strengthen the individual fingers of the left hand.

The Brown’stone: Expression, Articulation, & Speed!
The Brown’stone

The Brown’stone: Expression, Articulation, & Speed!

This week in The Brown’stone on No Treble, we’re talking about expression, articulation, and speed. Rich Brown gives us a couple of exercises that involve using hammer-ons and pull-offs.

The Brown’stone: Pentatonic Scale Patterns That Will Open Up Your Fretboard
The Brown’stone

The Brown’stone: Pentatonic Scale Patterns That Will Open Up Your Fretboard

Rich Brown’s students call this bass lesson a game-changer. This week in The Brown’stone on No Treble, Rich takes a look at some Pentatonic sequential patterns that not only sound great but will also open up your fretboard in a colossal way.

Kansas – “Leftoverture”: The Complete Basslines, Part 6
Leftoverture

Kansas – “Leftoverture”: The Complete Basslines, Part 6

Tim Fletcher and Troy Hughes’ epic project “Kansas: Leftoverture – The Complete Basslines” has reached its sixth chapter, featuring Dave Hope’s work on “Questions Of My Childhood”.

The Brown’stone: The 2-5-1 Chord Progression Using Triads & Inversions
The Brown’stone

The Brown’stone: The 2-5-1 Chord Progression Using Triads & Inversions

This week in The Brown’stone on No Treble, Rich Brown wants to take another look at triads and inversions. In this lesson, he shows how you can use these three notes to play the II-V-I chord progression in a variety of different ways.

Bass & Creativity: Building a Story
Bass & Creativity

Bass & Creativity: Building a Story

The best way to engage listeners is to craft a story with your music. In this “Bass & Creativity” lesson, Olivier Babaz takes a look at ideas and methods to build a story through your improvised solos and compositions.

The Brown’stone: Unlock Your Fretboard Using Pentatonics
The Brown’stone

The Brown’stone: Unlock Your Fretboard Using Pentatonics

In this lesson, Rich Brown takes an in-depth look at the Pentatonic scale. We’ll get familiar with the different Pentatonic shapes created on the fretboard and how you can open up the entire fretboard using these simple shapes.