Bass Lessons - Page 27

In the last lesson, we introduced the Permutation Exercise. This time we’ll talk about some more pattern variations to increase your dexterity. The permutation exercise can be played to drill down on lots of different fingerings that come in handy. We’ll be practicing the concept across strings and by implementing it with the whole tone and half-whole diminished scales. Be...

When learning to play your bass, an overkill of theory can often paralyze your results while performing. Many musicians have learned the theory of Tritone Substitution, but when trying to apply this information, they often end up short-changed. In this bass lesson, we’ll cover a simple but direct concept for the immediate application for Tritone Substitution based on the presence...

To start things off in this new series, we’re going to be working on our left hand dexterity with the “Permutation Exercise”. Each finger is assigned a number: 1 for index 2 for middle 3 for ring and 4 for our pinky By practicing each variation or permutation of the numbers 1, 2, 3, and 4, we can build finger...

This month’s transcription is a piece I’ve been meaning to get to for a long time: Bobby Vega’s “Gosh”. This piece was originally featured on Bass The World’s YouTube channel last year. Grab the transcription, read the notes below and follow along: Although a master of all techniques, Bobby Vega is probably best known for his plectrum work. Combining impeccable...

Using concepts derived from classical music, Joe delves into demystifying diminished patterns commonly used by jazz musicians, such as John Coltrane, Pat Martino, Jaco Pastorius and countless others. Follow along with this lesson’s notation (PDF) and video.

In this lesson, we will cover a basic concept for interval shapes to develop your technique, while attuning your ears to hear the root motion of common harmonic progressions in jazz. Follow along with the notation (PDF) and this video:

“Beastly” is the opening track from Vulfpeck’s first EP Mit Peck. I’ve loved this piece since I first heard it and it’s been on my “transcribe list” for a while now. Fortunately, the isolated bass track cropped a while back, making the task of transcribing it a little easier.

The A7?9 chord (referred to by some as the “Jimi Hendrix” chord) is a useful chord to know since you can play both the minor and Major pentatonic over it. Here’s a groove using mostly a minor pentatonic fill in the end, with lots slides, hammerons and pullofs so we get a fluid motion. For the gear heads, I’m playing...

Here’s another lick to add to your bag of tricks. Once again, I’m using open strings as described in past lessons. This one is a groovy bass line you can play over a E7, E9 or E13 chord using the Em dorian scale with the Major 3rd added (G#). Omit the G# and use it over a minor chord/key. Follow...

This bass transcription was suggested to me by No Treble founder Corey Brown, serving to remind me of Miki Santamaria’s fantastic solo arrangements of pop songs for bass guitar.

Here’s a lesson I’d consider more beginner/intermediate-level, but it is a great refresher for all of us. Many times, we have to play a line which requires some quick shifting along the fretboard. Here’s a simple exercise for fast position shifts. Follow along with the video.

Time to add another lick lesson to the series. This time around, our focus is on this funky fingerstyle bass groove, which is in the key of Dm or D7, using mostly the D minor Dorian scale with chromatic connecting notes. This lick also relies heavily on open strings, for fast note doubling (D on open string to D on...