Bass Lessons - Page 30

Last time, we got down and dirty with a overdrive-charged rock bass groove. This time around, we’re going to get a bit more funky with a modern Gospel-style lick, complete with all the slurs and slides. This groove is based on B minor Aolian, which is a great key and mode for this setting, especially on a 5-string bass, which...

If you’re looking to rock it out on bass, using an overdrive pedal can really help achieve that edge you need. In this lick lesson, I’m pretty much playing the same bass line repeatedly, but with different note lengths in the different sections: short note duration for verses, and long not duration for the chorus. This lick is in the...

“Continuum” is one of the most well known songs for bass players, and I’d argue it is one of the greatest tunes on Jaco Pastorius’s self-titled debut album. After listening to this performance of Michael League three times in a row, I decided to transcribe his version.

As bassists, it is important that we know our chords and arpeggios. Coupled with that is the importance of knowing the entire fretboard. In this exercise, we’ll play only three notes – the C Major triad. To make it fun, I’ve set it up as a reggae-style groove. As you’ll see in the video below, I cover the entire fretboard...

“Cee-Tee-Eye” is from Marcus Miller’s 2012 album Renaissance, recorded to feature the new band Marcus assembled for the Tutu Revisited tour, which was a celebration of the Miles Davis album from the mid-80’s Miller contributed heavily to. The title for “Cee-Tee-Eye” is a nod to the various albums released on the CTI Records label, which were influential not only to...

Changing things up a bit this time around with a funky 5-string bass groove (which can also be played on a 4-string). The fill is based on the Em Dorian scale (E F? G A B C? D) and uses the open strings for a doubling effect. The doubling effect is something we’ve tried before (see: Soul/Funk Fingerstyle Bass Groove...

We’re taking a bit of a detour from our regular bass lick series lessons to work on moving around the fretboard and playing a line through all the keys. In this lesson, we’re going to start with a lick in A minor, and work through the cycle of fifths. Each key lasts four bars each. Follow along in the video,...

Using an envelope filter effect can make a funky bass line sound even funkier. This lick is in Em with a fill based on an Em pentatonic scale motif. It uses pretty much only the top two strings on the bass. Follow along with the video and this transcription. For the gear heads, I’m playing my Sandberg California MarloweDK Signature...

Here’s a fun lick you can use any time the music calls for a fat, dirty groove. This is in E?, built predominantly on a E? minor pentatonic fill (with a 9th added). To achieve this sound, you’ll need a couple of effects: an octaver and an overdrive. I’m using the MXR Bass Octave Deluxe, the MXR Bass Overdrive and...

Here’s a new lick for you to try with a half-time 16th shuffle groove and a hip-hop vibe. This lick is based on a G minor pentatonic scale. In the video below, I play it full speed before playing it at reduced speeds. Follow along with the transcription (standard notation and tab), and have fun! For the gear heads: I’m...

Here’s a new slap bass lesson for you to try out to incorporate cross-string hammer-ons into your playing. We’ll practice this with a line I put together in the key of E. In the video below, I play the line at full tempo, followed by half speed and finally super slow speed. Follow along with the video and this transcription...

I’ve found many bass players have difficulty with transposing bass lines, so here’s a lesson that should help. Transposing on bass isn’t terribly difficult, since we can rely on shapes and patterns up and down the neck, to play a line in several keys. In the video below I demonstrate how to navigate the neck, playing the same pattern over...