Bass Lessons - Page 29

Like many bassists of my generation, I grew up loving the grooves on Michael Jackson’s records. The track we all wanted to be able to play was “Speed Demon” from “Bad,” a hyperactive little number with a bass part that was just too ridiculous to be real. Federico Malaman – one of the bass world’s most inventive players – is one of the few who cracked it, making it perfect for this month’s transcription.

This month’s transcription is “Cowboy from Prague,” a short piece by Polish slap bass wizard Wojtek Pilichowski, recorded at the Aguilar Artist Loft earlier in 2014. Wojtek has made a name for himself in recent years with his hard-hitting and energetic slap technique. True to form, he packs a lot of ideas into this short piece. Wojtek takes influences from...

Victor Wooten’s version of “Overjoyed” is a superb arrangement of Stevie Wonder’s classic song and the subject of this month’s transcription. Good luck with this piece. It’s a tough one to play well but you’ll be pleased with yourself once you have it down.

Last time, we got down and dirty with a overdrive-charged rock bass groove. This time around, we’re going to get a bit more funky with a modern Gospel-style lick, complete with all the slurs and slides. This groove is based on B minor Aolian, which is a great key and mode for this setting, especially on a 5-string bass, which...

If you’re looking to rock it out on bass, using an overdrive pedal can really help achieve that edge you need. In this lick lesson, I’m pretty much playing the same bass line repeatedly, but with different note lengths in the different sections: short note duration for verses, and long not duration for the chorus. This lick is in the...

“Continuum” is one of the most well known songs for bass players, and I’d argue it is one of the greatest tunes on Jaco Pastorius’s self-titled debut album. After listening to this performance of Michael League three times in a row, I decided to transcribe his version.

As bassists, it is important that we know our chords and arpeggios. Coupled with that is the importance of knowing the entire fretboard. In this exercise, we’ll play only three notes – the C Major triad. To make it fun, I’ve set it up as a reggae-style groove. As you’ll see in the video below, I cover the entire fretboard...

“Cee-Tee-Eye” is from Marcus Miller’s 2012 album Renaissance, recorded to feature the new band Marcus assembled for the Tutu Revisited tour, which was a celebration of the Miles Davis album from the mid-80’s Miller contributed heavily to. The title for “Cee-Tee-Eye” is a nod to the various albums released on the CTI Records label, which were influential not only to...

Changing things up a bit this time around with a funky 5-string bass groove (which can also be played on a 4-string). The fill is based on the Em Dorian scale (E F? G A B C? D) and uses the open strings for a doubling effect. The doubling effect is something we’ve tried before (see: Soul/Funk Fingerstyle Bass Groove...

We’re taking a bit of a detour from our regular bass lick series lessons to work on moving around the fretboard and playing a line through all the keys. In this lesson, we’re going to start with a lick in A minor, and work through the cycle of fifths. Each key lasts four bars each. Follow along in the video,...

Using an envelope filter effect can make a funky bass line sound even funkier. This lick is in Em with a fill based on an Em pentatonic scale motif. It uses pretty much only the top two strings on the bass. Follow along with the video and this transcription. For the gear heads, I’m playing my Sandberg California MarloweDK Signature...

Here’s a fun lick you can use any time the music calls for a fat, dirty groove. This is in E?, built predominantly on a E? minor pentatonic fill (with a 9th added). To achieve this sound, you’ll need a couple of effects: an octaver and an overdrive. I’m using the MXR Bass Octave Deluxe, the MXR Bass Overdrive and...