Bass Lessons - Page 43

I was in a music retail outlet recently where I purchased a Boss RC-20XL Loop Station. A great piece of kit, a glowing review of which I will post separately. What occurred to me, as the eager shop assistant demo’d the device, was that live looping may have become a little typecast in the minds of many musicians; i.e. a...

We normally think of scales in terms of eight-note patterns and treat them as a unit. There are the standard modal forms for both major and minor, the bop variations, blues variations, but all of these still cling to the paradigm of an octave based scale unit (even if the total number of notes in the scale changes). As bassists...

What does it take be become a “great” band? Believe it or not the collective skill of a group is not determined solely by the skills of its individual members. There is a level of ensemble technique that really elevates a band to be beyond average and gets the group noticed. As with all things there is no short-cut and...

If you can plug it in or mic it up, you can loop it. That is the conclusion I’m fast coming to when experimenting with live looping technology. Although another very important rule of thumb is, “Keep it simple, stupid” :) I wanted to put a few short thoughts together on having a creative mindset when using the looper, using...

As an upright player you have to make many moving parts work together in order to get the tone you want. Both hands play different roles in crafting your tone, but the real voice of our instrument comes from the bow. If you are new to the upright and haven’t taken the time to really find and fine tune your...

How many times have you played a continuous four hour gig? Have you ever had to go from the studio to a gig? Or play two gigs in one day? If you have, you understand the important of having an optimized playing technique. If you have not, and are going to try, you need to prepare yourself to be as...

This is a lesson based around use of the popular Behringer FCB1010 MIDI foot controller surface for hand-free control of the freely available and very capable, Mobius looping software from Jeffrey Larson at Circular Labs. The Gear The Behringer FCB1010 Foot Controller has 100 memory positions to store MIDI controller data for up to 5 separate MIDI devices, and provides...

Previously in the “math and music” lesson we derived equations for expressing intervals as functions of relative frequencies. This week we’re going to define conventions for interval sizes and then derive three variables where we can determine the composition of any frequency ratio. Guess what – all intervals can be described as different combinations of the octave, perfect fifth and...

How often do you hear people claim that it’s not how much your practice but how efficiently you practice? There are always claims that practicing 15-30 minutes every day versus a 3 hour session every Saturday will have a more positive impact on your playing ability – but how do you make the most of those 15-30 minutes? In this...

Every musician should have an idea of the foundational concepts that allow us to create music. This lesson series will explore the basis for tonal structure in Western music. I’ll warn you right now, this lesson is not for the faint of heart, or math-phobic. The purpose of this is to add to the conceptual foundation from which we view...

The upright bass is frequently classified as a “single-line” instrument. In other words, the bass produces a single line of tones and does not play polyphonically. This is certainly the rule in many cases, but there are times where adding additional chord tones to your playing, especially in solos, can add a new dimension of depth to your sound. Given...

If you are a working musician – or aspire to be a working musician – you need to be able to sell yourself and your music. At some point you may have to present your work to a record label or publishing company and you will be competing against many other artists for a label representative’s attention. Believe it or...