Search Results for: technique

“Crazy Train” by bassist Gheorghe Postoronca was right at the top of my list of pieces to transcribe this month. In fact, regular readers of my column might have noticed an absence of transcriptions recently, and this is purely because this piece took so long to get written down! It’s a solo bass piece that is heavy on technique, but...

When David Bowie passed away, I wanted to pay tribute with a solo bass arrangement of one of his songs. I personally consider Bowie one of the greatest artists in the world. He was in fact a great musician, actor, and painter. Among other things, the eclectic nature of his music was characterized by the creation of several different imaginary...

In this lesson we’ll cover an effective concept of superimposing melodic lines over multiple chord types. We’ll then develop this idea through the introduction of a technique called “framing,” which will enable you to hear the chord you are playing over with more harmonic clarity. This concept will enable you to expand your ideas and end up with more mileage...

This month’s transcription is a piece I’ve been meaning to get to for a long time: Bobby Vega’s “Gosh”. This piece was originally featured on Bass The World’s YouTube channel last year. Grab the transcription, read the notes below and follow along: Although a master of all techniques, Bobby Vega is probably best known for his plectrum work. Combining impeccable...

In this lesson, we will cover a basic concept for interval shapes to develop your technique, while attuning your ears to hear the root motion of common harmonic progressions in jazz. Follow along with the notation (PDF) and this video:

“Beastly” is the opening track from Vulfpeck’s first EP Mit Peck. I’ve loved this piece since I first heard it and it’s been on my “transcribe list” for a while now. Fortunately, the isolated bass track cropped a while back, making the task of transcribing it a little easier.

This bass transcription was suggested to me by No Treble founder Corey Brown, serving to remind me of Miki Santamaria’s fantastic solo arrangements of pop songs for bass guitar.

There’s been no shortage of great pieces to choose from for my monthly transcription recently: Cody Wright’s groove with drummer Chaisarary Schenk was a serious contender, as was Simon Fitzpatrick’s cracking solo bass rendition of “Rosanna”. I intend to cover both pieces in future transcription columns, but this month I couldn’t resist scoring out L?rincz Viktor’s “Rock and Roll Bass...

Like many bassists of my generation, I grew up loving the grooves on Michael Jackson’s records. The track we all wanted to be able to play was “Speed Demon” from “Bad,” a hyperactive little number with a bass part that was just too ridiculous to be real. Federico Malaman – one of the bass world’s most inventive players – is one of the few who cracked it, making it perfect for this month’s transcription.

This month’s transcription is “Cowboy from Prague,” a short piece by Polish slap bass wizard Wojtek Pilichowski, recorded at the Aguilar Artist Loft earlier in 2014. Wojtek has made a name for himself in recent years with his hard-hitting and energetic slap technique. True to form, he packs a lot of ideas into this short piece. Wojtek takes influences from...

Here’s a lesson I’d classify as beginner/intermediate level, but the truth is, it is something I think can benefit all of us. The goal of this lesson is to become comfortable with the entire fretboard, through learning the notes on every fret. Using a simple Rolling Stones-style rock groove backing track, this lesson focuses in on working our way through...

Time to get funky! In this lesson, we’ll play a groove in A minor using a left hand tap technique – one of Abe Laboriel’s many slap bass techniques, which was later popularized by Victor Wooten. This technique requires strength in the left hand, or low action. Download this transcription (standard notation and TAB), and follow along with the video...