the online magazine for bass players

Search Menu

Improving Your Playing: What’s Your Story?

Q: What are you personally working on to improve your playing?

A: Okay, getting more personal than usual here <grin>…

I am in a constant state of flux with my practice habits. Different things bug me about my playing depending on the gigs I have one week versus the next, causing me to switch gears and focus.

Lately, I’ve been focusing on three areas of my playing:

  1. Grooving both harder and with a better use of space
  2. Playing through changes
  3. Soloing more melodically

I always assess a need and then try and attack it head on in as smart a way as possible.

The groove story:

I went a bit crazy while listening to one of my older gig recordings. I was playing with a funk/jam-type band, and while it grooved hard and the band loved the stuff, I felt like I was overplaying – a lot.

What do I do about that? I dug through my music collection and started both:

  1. Filling my iPod with the types of groove players I wanted to emulate (Meters, Stevie Wonder, Lettuce, D’Angelo…), and listening to it a lot in an attempt to internalize the mindset and sound. I realize that I get too busy when I listen to too much fusion, modern/aggressive NYC-style jazz, and so on. So I go back to basics (BASSics, if you will indulge that).
  2. I focus on learning the grooves which perk my ears when I hear them. I’ve been sitting down with old school funk and groove stuff and learning that stuff note-for-note!


This is a life-long thing for me, and my work never changes gears as it relates to playing through chord changes on jazz standards and other charts. I just keep working on them!

My typical practice routine for changes:

  1. Voice leading chords through changes
  2. Walking scales through changes (changing my scale with every chord change, but always walking in half or whole steps)
  3. Exploring different scales to play over any given chord

Soloing melodically:

I’ve always wished my soloing would be more organic, and more like a soul singer might sing over any given set of changes. In other words, I’ve always wanted to solo like a Stevie Wonder melody.

So I’ve been focusing on learning the melodies for the songs I like. If I hear a beautiful melody, I’ll figure it out, and then examine how they are moving through the changes. I’ve also been just really listening to the shapes of the sounds and have been practicing playing 100% by ear over tunes I don’t know.

I’m trying to develop both my ears and the real feel for a more blues-rooted vocal style in my note choices.

I’ve also been singing licks over tunes and then trying to play them on my bass. Anything I can think of to better connect my hands and my ears (with a detour around the brain, if you know what I mean).

I hope that gives you some insight both into what I use to develop my voice as well as (and more importantly) what you might do to better develop your voice.

Readers, how would you answer this question? Share your story in the comments.

Have a question for Damian? Send it to Check out Damian’s instructional books at the No Treble Shop.

Get Ask Damian Erskine in your inbox

Don’t miss an Ask Damian column. Sign up for email alerts (every Wednesday).

Related topics: , , , ,

Share your thoughts