Call Her Thumpahlenah: An Interview with Nik West
Modern funk queen Nik West has worked with a who’s who of funk music, including Prince, Bootsy Collins, and George Clinton. Her newest single continues that tradition with the Godfather of slap bass.
“Thumpahlenah” features the bass and vocals of Sly and the Family Stone alumnus Larry Graham. In fact, the bass icon co-wrote the song with her. The song has a throwback feel with thick, funky bass lines that will give you stank face.
After catching some of the amazing in-studio clips of the two working together, we absolutely had to find out more about the track.
“Thumpahlenah” is streaming now on Spotify, iTunes, Amazon MP3, and more.
“Thumpahlenah” originally appeared on the 2020 album Moody, which appears to have been taken down from streaming services. Could you explain what happened there?
We remixed it and shortened it for radio as the UK really wanted to play it on the airwaves, which ended up being a great thing because now this masterpiece gets to have its own shine. When we released the album, we had a tour booked to go along with it, but then the pandemic lockdown news broke, and it got lost in the shuffle.
How did “Thumpahlenah” come about? Did Larry reach out to you first?
Larry did reach out to me. I’d been asking Prince to introduce us in 2015. Every time I was at Paisley Park, he’d call Larry (with no answer), and every time he’d call back, I’d be gone. Larry is a tough one to reach, but I knew it would happen because I’m ridiculously optimistic. After Prince passed (long story short), Larry texted me while I was in Jamaica and told me to call him when I was done with my vacation. I called him right then!
He told me all the best places to go in Jamaica since he’d lived there. Then he told me he wanted to work with me. I couldn’t believe it! He said, “So many musicians have a ton of notes under their fingers, but when you play, I can feel your entire soul. It’s the sound and the feeling. You have something inside of you that I recognize”… (I saved all his texts because I had no idea if I’d ever get a chance to talk to him again). A couple of months later, I was in Minneapolis writing “Thumpahlenah” with him.
Your Instagram clips of working on the song with Larry are incredible. What was that process like for you?
That process was the BEST thing that’s ever happened to me in my career. I was so nervous that I wore an oversized t-shirt so that if I started sweating, no one would see it lol!!!! When I met him and talked to him in person, all of that nervousness went away. He felt like he was my godfather or something.
He told me that I was the next “funk hero.” I was flattered but then had some doubts hoping my fingers and voice would not fail me that day. He played me the beat and sang the lyrics he wrote for me and told me that all I had to do was write the verses and play my bass solo. We ended up working on every single aspect of it together: vocals, bass lines, and guitar editing. (Guitars were played by the legendary KAT Dyson and Tyrone Chase).
Even though I constructed my whole bass solo, he told me to tune my bass to C so they’d sound more like rubber bands. We worked together for two days on “Thumpahlenah,” and it came out just like he imagined it to be. He said he was so proud and that I exceeded every idea he had when I played my solo. I can’t even take the compliments because I’m just so in awe of his musicianship and warm personality.
Did you learn any playing or recording tricks during the making of the track?
MANNNNNN!!! His pedals!!!! He has had these pedals for decades, and you can’t really find those anywhere! I got myself a Danelectro, but it wasn’t exactly the same. His bass sounds like LARRY GRAHAM. He uses light gauge strings. Prince would go over to his house and borrow his bass because that thing has its own SOUND!
Also, I learned that he just plays everything through in one long take. No punch-ins. I had to do that, too, while recording with him. Jumping on and off the pedals as if everything is live on stage. He doesn’t think… he just plays and feels it.
What is your favorite Larry Graham track, and why?
Well, I guess it’s considered Sly and the Family Stone, but it just SLAPS no matter how many times I hear it is “Thank You (Falettinme Be Mice Elf Agin)”. And ”Ain’t No Fun To Me” because Prince had me learn it. I know why, and it’s a really fun song to play on the bass. Larry sings and plays it at the same time (try that one).
What’s coming next for you?
“Hair” 2.0… Larry wrote me last week and said, “You should redo ‘Hair.’ It fits you perfectly” I died for a quick second. That’s what’s next, so look out for that. And catch me on tour all summer and fall.
Nik West 2023 Tour Dates:
Date | Location | Venue |
---|---|---|
Jun 16 | Stockholm, Sweden | Fasching |
Jun 17 | Stockholm, Sweden | Fasching |
Jun 22 | London, United Kingdom | The Jazz Cafe |
Jun 23 | Klaipeda, Lithuania | Klaipeda Jazz Festival |
Jun 24 | Lucca, Italy | TBA |
Jun 27 | Galesburg, IL | The Orpheum Theatre |
Jun 29 | Victoria, BC | Victoria Jazz Festival |
Jun 30 | Edmonton, AB | Edmonton Jazz Festival |
Jul 02 | Portland, OR | Waterfront Blues Festival 2023 |
Jul 02 | Portland, OR | The Jack London Revue |
Jul 04 | Nashville, TN | City Winery Nashville |
Jul 05 | Chicago, IL | City Winery Chicago |
Jul 06 | Atlanta, GA | City Winery Atlanta |
Jul 12 | Sion, Switzerland | Sion Sous Les Etoiles 2023 |
Jul 20 | Canary Islands, Spain | Canarias Jazz and Mas |
Jul 21 | Tenerife, Spain | Canarias Jazz and Mas |
Jul 22 | Saint-Julien-en-Genevois, France | Guitare en Scene Festival |
Jul 27 | London, UK | KOKO |
Jul 28 | Rome, Italy | Jazz & Image |
Jul 29 | Rome, Italy | Jazz & Image |
Aug 03 | Paloznak, Hungary | Paloznaki Jazzpiknik |
Oct 14 | Newport News, VA | Downing-Gross Cultural Arts Center |
Oct 18 | Bologna, Italy | Bravo Caffé |
Oct 19 | Bologna, Italy | Bravo Caffé |
Nov 02 | Belgrade, Serbia | Bitef Art Cafe Summer Stage |
Nov 04 | Paris, France | New Morning |
Top photograph- Kimberly Metz Photographer