Bass Effects Archives - Page 3

Chandler Limited is now shipping their first effects pedals: the Germanium Drive and Little Devil Colored Boost. Known for their high-end equipment, the company channels their studio gear savvy into the stompboxes, which work for bass, guitar or keyboard. Both pedals feature true bypass and run on dual 9v power supplies or a pair of 9v batteries. Germanium Drive Inspired...

Source Audio has added to their line of bass pedals with the release of the Programmable EQ Pedal, a compact, cast aluminum stompbox offering hands-free access to four unique and user-programmed EQ settings. The Programmable EQ offers +/-18db of range across seven frequency bands with an additional frequency band at 62Hz, which is accessible with the device’s Octave Extend function....

Source Audio has expanded upon their Soundblox Bass Envelope Filter with a new Pro version of the pedal. Similar to its sibling, the Soundblox Pro Bass Envelope Filter has 22 envelope filter effects ranging from 2 Pole and 4 pole Low Pass variations, Single Peak, Triple Peak, Peak/Notch variations and Phaser settings. Options go even further as you can tweak...

We first heard about Darkglass Electronics by way of the company’s flagship distortion pedal, the Microtubes B3K [check out our review here], and soon met proprietor Douglas Castro. Castro, who hails from Chile but is now based out of Finland, builds all of the pedals by hand. A bass player himself, Castro couldn’t get the sound he wanted from all...

Pigtronix has released the Class A Boost, designed to fatten any signal, from instruments to line level devices. The pedal includes discreet transistor topology to boost signals up to 20db without clipping. A flat frequency response from 20Hz to 20kHz ensures your bass’s sound is preserved. The company explains that the pedal’s design allows for noise free performance, and has...

Digitech has unveiled their latest bass multi-effects pedal, the BP355. Featuring the same AudioDNA 2 processor as its relatives, the BP355 dishes out modeling of 20 amps, 17 speaker cabs, and more than 70 effects, ranging from distortion to envelope filters with nearly everything in between. It also includes 70 factory and 70 user presets, a Tone Library of 30...

T-Rex Engineering has added a Phaser and Chorus/Flanger to their Tonebug line of effects pedals. The Tonebug Phaser features a mode switch to go between a Modern and Vintage sound, as well Rate and Depth controls. The Chorus/Flanger also has a mode switch, but chooses between the chorus and flanging effects. It also has both a Rate and Depth knob...

The new Red Ripper Fuzz for bass from Tech 21 is more than your ordinary distortion box. It actually responds to the dynamics of your touch, so if you play harder you get more fuzz and higher harmonics, and if you play softer you get less fuzz and enhanced lower harmonics. Very nice for dynamic contrast. The Red Ripper’s “R.I.P.”...

Fuzzhugger(fx) has released the second version of their Great Wall fuzz pedal. The Great Wall V2 delivers a huge wall of fuzz-pumping bass sound features a smaller enclosure with multiple hand-painted varieties. The Great Wall features three controls giving you the flexibility to dial in any combination of fuzz with a consistently strong bass response and matching balance qualities. The...

Kasha has developed a 4 Channel Overdrive pedal built to the standards of their boutique amplifiers. Kasha applied their extensive amplifier knowledge to this pedal, the first thing you will notice is that there is no tone control! This is on purpose, Kasha explains that “A big problem that most pedals have is the addition of a tone control or...

EBS has released another new pedal, the EBS MetalDrive is a high-gain distortion pedal designed specifically for the bass. The MetalDrive is the eighth pedal in the “Black Label” series released by EBS. The pedal was inspired by bassist John Moyer of Disturbed. EBS had been modifying a MultiDrive pedal for Moyer who required overdrive as well as metal distortion....

Seppuku has developed the Digital Pitch Modulator to convert your bass into a “massive synthesis of sound”. The Digital Pitch Modulator uses an 8-bit digital chip to create octave up, octave down, fifth note, ring mod, arpeggio and bit crusher sounds and blends them with analog fuzz to make mind-blowing effects. The features and specifications are: Oscillator Frequency Control Digital/Analog...