Gigging Archives - Page 12

Q: I play bass in a rock/metal band with only one guitarist, who does plenty of guitar solos. I was wondering if you had suggestions on how to fill up the space, so to speak, to overcome the lack of rhythm guitar. Any insight you might have would be greatly appreciated! A: Although it’s been a while since I played...

There’s an old saying in the musical world that goes a little like this: “I didn’t even notice the bass until it wasn’t there!” While this may seem a bit unfair – as if all of the other instruments receive the listening attention they deserve while we stand in the back – it happens to be a great compliment. Of...

Q: I will soon be filling in on a gig with no rehearsals or charts. I’m a little freaked out. They said we’d get a few minutes during sound check to run through a tune or two, but how can I expect to play well when I can’t really prepare? A: I feel your pain, friend! In the scenario you...

It’s easy to get wrapped up in the “hows” of bass playing: scales, chords, arpeggios, slapping, tapping, harmonics… Maybe you’re working on getting that one awesome lick just right so you can use it someday. With so much information to digest, sometimes it’s best to take a step back and remember what it is we’re actually working toward. What is...

Q: I think I have a good suggestion for an area you may have not covered: the role of a bassist in an acoustic setting. No drummer (maybe a Djembe), just acoustic guitar, bass and vocals. How do you keep it grooving, how do you fill the space, how do you make it sound good? I’ve had to play a...

Let’s face it, sometimes we find ourselves in not-so-ideal playing situations. In a perfect world, we would always have our favorite drummer on the gig and could lock in and groove all night long. We would never have to compete with the busy left hand of a keyboard player, stay alert during the 15-minute guitar solo, or back up a...

Q: I’ve found myself in somewhat of a middle-ground with my gigs. Some gigs I have are with much better musicians than me, and I find that I actually play better with these guys. But many more of my gigs are just your everyday bar gigs. I’m noticing that I just can’t play the same way when the musicians around...

Q: How do you decide what tone to use for different songs? A: This is a great question. And it is one that is very subjective. This will be different for everyone, but I’m happy to share my personal take on it. This is also something that may be very different live than it is in the studio. Quite often,...

Welcome to Part 2 of “Learning the Song.” If you checked out the first part of this series, you’ll be familiar with some of the essential elements of learning a song, such as the key, the chord progressions, the form, and so on. Learning “the song” is a great exercise in ear training, adapting theory rules and being prepared for...

Q: I had a gig last night at a church and the room resonated right on F#. The designer of the church could not have designed it any better to mess up anybody playing F#. When I would hit an F#, it would instantly double or almost triple my output. Very crazy. I tried to remember to play it lighter...

It’s time for a real life gig story. I was recently given a set list for an upcoming gig… two sets, roughly 25 tunes, mostly classic rock and soul. Glancing over the set list, I saw many tunes that I already knew, so I figured I’d be fine, right? Guess again. As it turns out, a couple of the tunes...

One very enlightening way to prepare for an audition or performance is to record yourself prior stepping on the stage, or into the audition room. Expensive equipment is not required to gain benefit from recording yourself. Although better recording equipment means you can listen back in greater detail, the fact is that free recording software and the microphones on most...