Groove Archives - Page 3

What exactly is a groove? Aside from attempting to teach feel, which is predicated on stylistic interpretation and flight time on the bandstand, a groove is a repetitive idea – often organized into two, four or eight bar phrases that is based on the harmonic rhythmic and melodic content of a song. Often when coming up with an idea, bass...

Last time, we got down and dirty with a overdrive-charged rock bass groove. This time around, we’re going to get a bit more funky with a modern Gospel-style lick, complete with all the slurs and slides. This groove is based on B minor Aolian, which is a great key and mode for this setting, especially on a 5-string bass, which...

Changing things up a bit this time around with a funky 5-string bass groove (which can also be played on a 4-string). The fill is based on the Em Dorian scale (E F? G A B C? D) and uses the open strings for a doubling effect. The doubling effect is something we’ve tried before (see: Soul/Funk Fingerstyle Bass Groove...

Here’s a cool new bass groove for you to try out and add to your bag of tricks. This is an A Dominant 7 lick, complete with harmonics and double stop chords. Follow along with the video below and this transcription. For the gear heads: the bass this time around is my 1977 Music Man Stingray strung with Dunlop nickel...

Here’s a new lick to add to your bag of tricks: a half-time 16th-note shuffle groove with a hip-hop vibe. The pattern is based on the G minor pentatonic scale. (Note: If you need some background on the pentatonic scale, here’s a good lesson to help you get started.) Follow along with the video and this transcription (PDF with both...

Q: My question is about timing. I realize that the choice of notes make a line hip, but the rhythm and the timing make the groove! How do you practice timing, Damian? A: Truer words have never been spoken! It’s all about the groove and time-feel (fancy words for “pocket”). Here are some goals for developing your timing and groove:...

Q: During jam sessions, I normally have a “hit and stick” approach to coming up with grooves. Essentially, there’s a lull between grooves where I end up peddling notes or playing the one. My keyboard player pointed this out and it bothers me. Is this something that I should be worried about? How do I lead a groove during these...

One of the most important things we do as bass players is to create and lock into a groove. When I practice this I prefer a drum machine to a metronome. Here’s a guide to working with a drum machine to master the groove: 1. Set the tempo and style. Choose all the styles you are trying to be competent...

One of the important aspects of playing bass is your ability to groove. In this new lesson, I’ll offer up some beginner-level concepts to help you start down the path. We’ll explore keeping time and using percussive an ghost notes to make the lines come to life… the recipe for getting people out of their seats and dancing. Follow along...

Continuing our bass groove lesson series, here’s a cool (and relaxed) groove and exercise for you. In this groove, we’re employing double stops with one of the most common shapes: Major 10th, root note, and a Major 3rd (an octave above). Follow along with the video and this lesson transcription (PDF download). For the gear heads, I’m playing my Sandberg...

Bassist Henrique Corrêa sent us this video of him laying down a sweet groove. What more needs to be said?

Here’s a neat little fingerstyle groove lick lesson, complete with double stops and that open string trick we’ve been playing around with over a couple of the recent lessons. I can’t seem to stop using this technique when playing licks. Maybe it is becoming my signature thing! Follow along with the video and the transcription (PDF). We’re in the key...