NAMM 2017 Archives - Page 2

Mike Lull introduced a new short-scale version of his P-style bass called the P430 at the Winter NAMM Show this year. The P430 will carry the same features of the full-size P4 – such as an alder, swamp ash, or mahogany body – but it will have a short 30-inch scale. That’s something Lull was not interested in doing until...

Fuzzrocious Pedals unveiled two new creations at the 2017 NAMM show with the Baxstabber and Blast Furnace pedals. Both pedals, which are made in New Jersey, will be shipping later this year. We caught up with Fuzzrocious’s Ryan and Shannon Ratajaski at the show to get the scoop. “The Baxstabber is a tone shaper and an EQ,” Shannon explained. “It’s...

Warwick expanded their Rockbass Corvette series with an eight-string version of the Corvette Basic. The eight strings are set in four courses tuned E-A-D-G against a wenge fretted fingerboard. Its built with an alder body and three-piece maple neck with ekanga veneer stripes. The body is fitted with a pair of active MEC jazz pickups matched to a 2-band EQ....

ESP Guitars added the AP-4 and AP-5 basses to their LTD Series at this year’s Winter NAMM Show. The four and five-string models are traditionally-based designs with ESP’s own twist. Both models are built with an alder body, bolt-on maple neck, and an ebony fretboard. They are fitted with a set of EMG pickups in a P/J configuration with volume,...

Ashdown Engineering has teamed up with bassist Stuart Zender to introduce the SZ Funk Face Twin Dynamic Filter Pedal. The pedal is designed for simplicity in getting a funky sound that Zender, who was the original bassist for Jamiroquai, is known for. Its filter section has a Sensitivity knob to control the effect’s response, while an Output knob controls the...

Nordstrand Pickups has introduced the 2b+, a 2-band boost only preamp they say offers flexibility and simplicity with lots of tone-shaping potential. “Offering more boost than our standard 2-band preamp the 2B+ can really beef up your lows and polish your highs,” Nordstrand writes. “There’s a dip switch for shifting the treble EQ point, and the adjustable gain trim pot...

Kiesel Guitars teamed up with TesseracT bassist Amos Williams to create the Vader AW5 Signature headless bass. The new model is based on the Vader bass with several differences including a 34-inch scale 23-fret fingerboard, and a single high output HB series humbucker. As with all Kiesel and Carvin instruments, the AW5 is available with a number of options. Standard...

Tech 21 unveiled the Q/Strip as part of their display at the 2017 NAMM Show. Developed in a DI format, the device acts as a preamp and direct box with the features of a recording console strip from the ’60s and ’70s. The Q/Strip features all-analog MOSFET circuitry, which gives “warmth, girth, and larger-than-life tones for which vintage consoles are...

Pigtronix has announced a micro version of their popular Disnortion pedal, which features all of the 18-volt headroom of the original analog Fuzz and Overdrive circuits into a smaller unit that runs on 9 volts. It also has a couple upgrades. “This new Micro version of the Disnortion hugely one-ups the original’s broad palette of touch-responsive dirt sounds by including...

Ibanez shocked many bassists again this year by introducing a new Ashula bass. The SRAS7 is a seven-string model that has a unique hybrid fretted/fretless design with three strings over a fretless purpleheart fingerboard and four strings over a fretted rosewood fretboard. The fretted portion is tuned to a standard E-A-D-G, while the fretless section is tuned A-D-G. Each section...

Spector is celebrating 40 years of bass building with the Euro4LE 1977 Limited Edition bass. Based on the company’s original bass from 1977, it’s built with neck-through construction with a fully carved body with solid American walnut body wings and a 3-piece maple neck. Spector went so far as to measure the dot inlays that adorn the 24-fret rosewood fingerboard...

Digitech has unveiled the FreqOut, a pedal for bass and guitar that creates controlled feedback. The stompbox uses pitch-detection technology to identify the harmonic content of notes and chords then makes those frequencies feedback in a musical way with several settings. “Roaring feedback from an amp can add intensity and musicality to a live performance when used correctly,” Digitech’s Tom...