Columns - Page 21

Q: I’ve been struggling with a question, and I’d love to hear your thoughts about it. I’ve been playing in a band for the past two years, mainly in bars and functions. Finally, we are getting some contracts to play in clubs, which is great! However, instead of the annoying sound of loud voices and laughs, we’re getting the haunting...

So I just came home from a recording session and the conversation I had before I split had me thinking for the entire drive home. We were speaking about a few other bassists that the band had tried to use, and the various issues they encountered. The songwriter chimed in at that point with a story about one of the...

Every so often, I’m asked about some of my favorite drummers to play with and why that is. Whether it’s for a gig referral or for the sake of conversation with my fellow musicians, it’s a question that doesn’t always have the same answer. The context of a gig, the type of music being played, and the other musicians involved...

Q: My band and I have started playing out in bars and clubs, and one thing keeps me on edge: No matter how much we prepare and rehearse, there are always hiccups. How do the pros know how to deal with things going wrong (like someone going to the wrong section of the tune, the drummer drops a beat or...

For this week’s column, I asked a good friend of mine – Seattle-based drummer Tarik Abouzied – to talk about what he looks for in a bassist, from a drummer’s perspective. I thought he may have some insights as he’s also a pretty phenomenal bassist, in addition to being a complete badass on the drums. Whenever I can’t make one...

While the name Ron Carter makes a frequent appearance on No Treble, I decided it was time to officially add him to the list of Bass Players To Know. Inspired by an NPR “Fresh Air” interview of Antonio Carlos Jobim, it was clear to me that Carter’s playing can be heard all across the jazz spectrum, from the early days...

Q: What kind of gear might I need to start recording bass lines from home? I’m thinking of the ability to record for albums remotely but also to get better sound for social media videos and things along those lines. Preferably something that doesn’t cost thousands of dollars! I’m curious what you use, too. A: It sounds like you already...

Q: I have a job which a) takes up a lot of my time and b) doesn’t pay very well. I’ve been thinking about something you’ve mentioned before about when you quit your job and made your music career your job. Do you have any advice on how to manifest that? A: I will preface this by saying that it...

Every now and then, a fellow bass player asks me what it’s like to write the “Bass Players To Know” column for No Treble. My mind immediately goes to the moments of researching, writing, and editing… the hours sitting in front of my computer screen, the obsessive re-readings, and the wildly diverse Spotify searches. Once I snap out of the...

I often get the question about how to play “outside” the changes. There’s no easy answer to this, but I do have several tips to keep in mind. This week I made a video to dig into how to create tension and release by playing outside of the harmony.

Q: I work a “real job” – as in four 10-hour days a week. I get up at 3:15 am Tuesday through Friday, commute to work, put in my 10 hour day, plus a half-hour for lunch, and by the time I get home from my afternoon commute, it can be as late as 6 pm. I’m usually pretty tired,...

In the past several years, there has been a renaissance in the world of roots music—artists are reviving the classic approach to country and folk, mixing it with traditional rhythm and blues, and integrating the soulful and mysterious vibe of New Orleans. The term “Americana” has spread across radio formats and late night shows, highlighting the releases that don’t necessarily...