Columns - Page 20

I’m standing in front of my amp. I’m sure of it. It’s two feet behind me, the light is on, and there’s definitely sound coming out of it – well, at least I’m pretty sure that there’s sound coming out of it. There comes a time in every musician’s life when you realize that a sound check can be an...

Q: I’m 28 and I have played bass since I was 18. I’ve always been a hard-working student but always had trouble in reading music, no matter how I hard I tried. Now I’m a bass student at the Palermo Conservatory in Sicily, and despite my very good grades in all other subjects, I keep having a hard time in...

Q: I have been playing bass for others for years but when it comes to writing my own music I constantly question myself about the rules. I understand if it sounds good play it but, “what key could this be and, can I play a dominant 7 here, and will it still be in a key?” (In the musical rulebook)...

As a soul music enthusiast, one of the greatest assets to my record collection has been the Atlantic Rhythm And Blues 1947-1974 compilation. It documents the early years of popular American music, the rise of the R&B genre, and the classic recordings that continue to show up in film, television, and radio. The musical selections are accompanied by a chronological...

Q: I don’t know about you, but when I was a younger and less experienced player, I used to dread playing the faster, up-tempo passages or songs. But that all seemed to resolve itself with practice, and now as an older – hopefully wiser – player, I have come to realize what I have should have been worried about were...

Q: When I listen to people playing bass, I always notice two things: 1) They play relaxed with their right hand and don’t use a lot of force and 2) while they do this, they STILL get a good volume and tone. When I play bass, I use quite a bit of force with my right hand (plucking) because when...

Q: I’ve been checking out this site for a while. Love it all. However, I have a problem: I don’t know where to start. Let me tell you a little about me. I’ve played bass for quite some time and even taken lessons by some famous players. I’m the student that everyone dreams of. I practice incessantly. With all that...

Q: I’ve been working on my soloing and I had a question. It keeps getting repeated to me by other players, teachers, and books that I shouldn’t play the root when I solo. What do you think? Is it really such a bad thing? A: I have a few thoughts on the subject. Some are in line with what you’ve...

Every now and then, you may get lucky enough to do a gig or to jam with players in a truly creative and inspired way. You get to play in the greatest sense of the word, and better yet, you get to be your best musical self. You feel a sense of camaraderie with your fellow musicians and you walk...

Q: First of all thank you very much for your past reply to my question! Lately while working on improvisation and in particular on linear melody through changes, I started asking myself why I should bother with modes. For instance, if there’s a Fmin7 moving to an Amin7 chord and I want to think about those two chords as F...

Q: I was recently talking to a guitar player friend about feeling bored with practicing, and he recommended that I try to incorporate studies from different instruments into my routine. You’ve talked about using drum rudiment books to practice rhythm, and that totally makes sense, but what could I gain from studying a book on piano voicings or guitar stuff...

If you’ve been to a wedding in the past five years, either as a guest or a band member, there’s a good chance you’ve heard or played a handful of Bruno Mars and Amy Winehouse hits. Producer Mark Ronson is the mastermind behind many of these now-standard-repertoire tunes such as “Valerie” and “Locked Out Of Heaven.” With a background in...