Wonder Women: Toné Compito on Breaking into the Bass World and the Power of Networking

“…Networking…putting yourself out there…show up at other people’s gigs…support…network in any way you possibly can. Learn how to be someone that people want to be around…be open to listening to other people…be open to appreciating what they do…become a better person to everybody…become likeable, because that’s what people want. If they like you, they might give you a chance to audition for a band even if you aren’t great. If you are likable, you might get that job that you are not all that experienced in…or someone might want to teach you how to run sound or do engineering, or how to manage them… ” – Toné Compito

In this month’s edition of Wonder Women: Stories from the Women Who Play Bass, we sit down with Toné Compito, a name that resonates deeply within the bass community. Whether it’s her work with Victor Wooten’s camps, organizing the Bass Bash at NAMM, or her experiences navigating both the performance and business sides of the industry, Toné has left an indelible mark.

From Classical Roots to the Bass World

Toné’s journey into the bass world wasn’t exactly linear. She started on piano, playing classical music growing up, and took a detour into the business world before returning to music in an entirely new way.

“I originally was a piano player and played classical music growing up,” she shares. “My life did not take that path initially. I had my daughter extraordinarily young and got away from music, diving into business instead.”

But bass was always lurking in the background. Her brother, luthier Joe Compito, built basses for Victor Wooten, including the famed Compito five-string fretless, played on Cosmic Hippo and Big Country. It was through Joe that Toné connected with Victor and his wife, Holly. After Joe’s passing, she found herself drawn further into the bass world and became involved in Wooten Woods, first as a volunteer and eventually as an integral part of its operations.

“I just fell in love with the whole concept of what they were doing,” she recalls. “I showed up at a camp in 2001, started helping out, and decided I was never going to leave.”

The Business Side of Music

While Toné plays bass and has gigged with various bands, she emphasizes that her strongest contributions to the community have been on the business side of music. From managing artists to organizing large-scale events, she’s seen firsthand how critical business skills are to a musician’s success.

“Without the business aspect, there is no music,” she explains. “Musicians can be incredible artists, but if they don’t know how to manage their career, market themselves, or network, they can struggle to get anywhere.”

This philosophy was a guiding force when she took over organizing Bass Bash, a major event during NAMM that brings together legendary bassists and emerging talent.

“I had no clue what I was getting into,” she admits with a laugh. “It was a crash course in backline management, securing sponsorships, booking artists, and making sure the event was financially viable. But it was an incredible experience.”

Networking, Community, and Being Someone People Want to Work With

Toné strongly believes that technical skill alone isn’t enough in the music industry—it’s about building relationships, being someone others want to work with, and constantly learning.

“Networking—putting yourself out there—learning how to be someone that people want to be around. That’s so important,” she says. “If people like you, they might give you a chance to audition even if you aren’t great yet. If you’re likable, someone might want to teach you how to run sound, do engineering, or manage a band.”

It’s a lesson she’s learned firsthand, having built her career by being open to opportunities and always striving to learn more.

Continuing the Journey

Today, Toné continues her work with Victor Wooten’s camps, helping musicians develop not only their technical skills but also their ability to connect with others, listen deeply, and find their voice. She also remains an advocate for women in bass, helping to create spaces where female musicians feel empowered to thrive.

“I love seeing more women in bass,” she says. “Twenty years ago, it was much more rare. Now, there’s a growing presence, and it’s amazing to see.”

As for what’s next? She’s continuing her journey as a musician, an advocate, and an industry professional. And if there’s one thing she wants the next generation of bass players to take from her story, it’s this:

“Be open. Be present. Be someone people want to work with. The opportunities will come.”

Explore more from Toné Compito:

Brittany Frompovich is a highly regarded educator, clinician, blogger, and bassist who currently resides in the Washington DC/NOVA region. For more content from Brittany, check out her blog, her YouTube channel, and her Bandcamp site. She also offers handmade unisex music-themed jewelry through her Etsy store. Get a Wonder Woman Tee!

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