Latest from Stuart:
Bass Transcription: Gheorghe Postoronca’s “Crazy Train”
“Crazy Train” by bassist Gheorghe Postoronca was right at the top of my list of pieces to transcribe this month. In fact, regular readers of my column might have noticed an absence of transcriptions recently, and this is purely because this piece took so long to get written down! It’s a solo bass piece that is heavy on technique, but...
Bass Transcription: Bobby Vega’s “Gosh”
This month’s transcription is a piece I’ve been meaning to get to for a long time: Bobby Vega’s “Gosh”. This piece was originally featured on Bass The World’s YouTube channel last year. Grab the transcription, read the notes below and follow along: Although a master of all techniques, Bobby Vega is probably best known for his plectrum work. Combining impeccable...
Bass Transcription: Joe Dart’s Bass Line on Vulfpeck’s “Beastly”
“Beastly” is the opening track from Vulfpeck’s first EP Mit Peck. I’ve loved this piece since I first heard it and it’s been on my “transcribe list” for a while now. Fortunately, the isolated bass track cropped a while back, making the task of transcribing it a little easier.
Bass Transcription: Miki Santamaria’s “Thinking Out Loud” Solo Bass Arrangement
This bass transcription was suggested to me by No Treble founder Corey Brown, serving to remind me of Miki Santamaria’s fantastic solo arrangements of pop songs for bass guitar.
Bass Transcription: L?rincz Viktor’s “Rock and Roll Bass Solo”
There’s been no shortage of great pieces to choose from for my monthly transcription recently: Cody Wright’s groove with drummer Chaisarary Schenk was a serious contender, as was Simon Fitzpatrick’s cracking solo bass rendition of “Rosanna”. I intend to cover both pieces in future transcription columns, but this month I couldn’t resist scoring out L?rincz Viktor’s “Rock and Roll Bass...
Bass Transcription: Federico Malaman’s “Speed Demon”
Like many bassists of my generation, I grew up loving the grooves on Michael Jackson’s records. The track we all wanted to be able to play was “Speed Demon” from “Bad,” a hyperactive little number with a bass part that was just too ridiculous to be real. Federico Malaman – one of the bass world’s most inventive players – is one of the few who cracked it, making it perfect for this month’s transcription.
Bass Transcription: Wojtek Pilichowski’s “Cowboy from Prague”
This month’s transcription is “Cowboy from Prague,” a short piece by Polish slap bass wizard Wojtek Pilichowski, recorded at the Aguilar Artist Loft earlier in 2014. Wojtek has made a name for himself in recent years with his hard-hitting and energetic slap technique. True to form, he packs a lot of ideas into this short piece. Wojtek takes influences from...
Bass Transcription: “Overjoyed” by Victor Wooten
Victor Wooten’s version of “Overjoyed” is a superb arrangement of Stevie Wonder’s classic song and the subject of this month’s transcription. Good luck with this piece. It’s a tough one to play well but you’ll be pleased with yourself once you have it down.
Bass Transcription: Marcus Miller’s “Cee-Tee-Eye”
“Cee-Tee-Eye” is from Marcus Miller’s 2012 album Renaissance, recorded to feature the new band Marcus assembled for the Tutu Revisited tour, which was a celebration of the Miles Davis album from the mid-80’s Miller contributed heavily to. The title for “Cee-Tee-Eye” is a nod to the various albums released on the CTI Records label, which were influential not only to...
Bass Transcription: Fernando Lamadrid’s “Mollete Express”
Just as I was wondering which piece to select for this month’s transcription, along comes this killer track from super-talented bassist Fernando Lamadrid and drummer Rick Arencibia. This one has it all: harmonic-laden odd-time grooves, funky slap lines, chordal work and several jaw-dropping solos. Perfect! Download the transcription (PDF) and follow along: “Mollete Express” opens with a fingerstyle groove over...
Bass Transcription: Tal Wilkenfeld’s “Cause We’ve Ended As Lovers” Solo
Tal Wilkenfeld’s fantastic solo on the Jeff Beck classic “Cause We’ve Ended As Lovers” has been watched countless times. There are several live recordings of this track, but the one transcribed here is from the Crossroads Guitar Festival in 2007.
Transcription: Viktor Lörincz’s “Boomerang”
This month’s transcription is “Boomerang”, a funk-filled slap-fest from Hungarian bassist Viktor Lörincz we originally featured back in 2011. This chops-heavy piece is a great workout for anyone looking to take their slapping and tapping skills to the next level. Download the transcription (PDF) and follow along: Viktor opens the piece with a Latin-flavored tapping part which outlines a series...