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  • Talking Technique: Talking Double Stops

    Talking Technique: Talking Double Stops

    Looking for ways to spice up your grooves? Double stops are a great option. In their most basic form, double stops are when we play two notes together at the same time. They can sound muddy in some registers of the bass, but we’ll go over some tricks to make them sound like gold. This... »

  • The Lightbulb Moment: Major? Minor? Why Bother?

    The Lightbulb Moment: Major? Minor? Why Bother?

    Being a bass player is awesome. Not only do you get to hang in the back and groove, but you get to skate by on all of that “theory” stuff that guitar players have to deal with. You know… like chords and whatnot. We only have to play one note at a time! That’s like…... »

  • Talking Technique: Pedalling

    Talking Technique: Pedalling

    There are only so many hours in the day, so it’s always great to figure out ways to make the best use of your practice time. One way to get the biggest use of your practice is to combine different topics to bolster your understanding: music theory with song learning, rhythmic accuracy with slapping, phrasing... »

  • Where to Use Whole Tone and Other Scales

    Where to Use Whole Tone and Other Scales

    Q: So, do you play whole tone scales over the ?5, and altered scales over the dominant chords. Major chords – do use use whole tone? Minor scales – do use use dorian? or a jazz minor? A: Much of what goes into deciding what scale to use over any given chord is all about... »

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  • Advanced Bass: The Tritone Substitution Matrix

    Advanced Bass: The Tritone Substitution Matrix

    When learning to play your bass, an overkill of theory can often paralyze your results while performing. Many musicians have learned the theory of Tritone Substitution, but when trying to apply this information, they often end up short-changed. In this bass lesson, we’ll cover a simple but direct concept for the immediate application for Tritone... »

  • Ariane Cap Releases Music Theory Book for Bassists

    Ariane Cap Releases Music Theory Book for Bassists

    Bassist, pianist, composer and educator Ariane Cap has decided to make understanding music theory easier to understand for bassists in her book, Music Theory for the Bass Player: A Comprehensive and Hands-on Guide to Playing with More Confidence and Freedom. The theory in the book is designed to be approachable, and can even be used... »

  • Developing a Solo Over Chord Changes

    Developing a Solo Over Chord Changes

    Q: I have a question about improvising. If one browses the internet for learning how to improvise on the bass guitar, one can easily find lots of great tips: learn familiar melodies and expand them, learn solos from other instruments and be inspired by others. I would like to know about how to approach improvising... »

  • Playing Over Long Lasting Chords

    Playing Over Long Lasting Chords

    Q: I’ve been messing around with playing over the changes, but I always stumble upon an issue: chords lasting 2, 4, 8 or even 16 bars! I know there’s a ton of different ways to approach this, but I have problems with approaching chord tones. Things like enclosures, double chromatics, diatonic and chromatic approach notes.... »

  • Making Theory Work

    Making Theory Work

    Q: I’ve tried to learn music theory many times. I’ve studied it in a classroom setting, private lessons and on my own, but it just doesn’t click with me for some reason. I’m classically trained, so I can read bass music just fine, but when I play anything that relies heavily on memory or improvisation,... »

  • Exploring Vertical Harmony in Bass Playing

    Exploring Vertical Harmony in Bass Playing

    Q: I have never studied an instrument aside from bass. In watching countless guitarists pick up my bass and rip out some cool lines (and the left hand of pianists), I’ve realized that I’ve never really found an effective way to internalize “vertical harmony”, and thus my lines lack coherence as a whole. How do... »