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  • Percussive Techniques for Bass

    Percussive Techniques for Bass

    For the next few weeks, we’ll be going over some more lesson oriented topics. I’m kicking off the series with a look at percussive techniques on the bass, specifically using your plucking hand. There are some easy techniques to approach as well as some more difficult ones. Work on these slowly with a metronome starting... »

  • Talking Technique: Short-Scale Bass Shedding

    Talking Technique: Short-Scale Bass Shedding

    Short-scale basses have recently enjoyed a bit of a resurgence – be it as an alternate tool in a pro’s kit or as a main axe chosen for its sound, lightweight, easy playability and hip factor. In this episode, we’ll explore some right-hand, left-hand, and coordination drills that will help you wrap your mind around... »

  • Talking Technique: Alberti Bass

    Talking Technique: Alberti Bass

    Do you know what an “Alberti Bass” is? If you play electric bass (rather than cembalo in the 1700’s), you are excused if you don’t. That does not mean that we cannot use this keyboard figure to inspire some heavy duty technique shedding: string crossing, right-hand shedding, and coordination. In this lesson, we’ll go over... »

  • Is Rhythmic Tapping Okay in a Band Setting?

    Is Rhythmic Tapping Okay in a Band Setting?

    Q: When I play the bass (let’s say on a 4/4 beat), I often tap the strings on the exact beat that the snare drum makes (on the 2 and 4), and I can’t seem to stop doing that. I was wondering: Let’s say I’m playing in a band, having fun, and I start tapping…... »

  • Talking Technique: Pivot Perms & Mirror Image

    Talking Technique: Pivot Perms & Mirror Image

    This episode is part one of a three-part challenge. Those time tested permutation exercises (you are doing them, right?) are getting two fresh twists in this episode: descending by their mirror image for an additional right-hand alternating challenge, and what I call the wicked “Pivot Permutations” – a great fun way to spice up that... »

  • Talking Technique: “Mordents” for Finger Strength

    Talking Technique: “Mordents” for Finger Strength

    Today we have another multi-layered workout for you to build up your finger strength. This lesson will help you practice a scale up and down one string while improving coordination and strengthening your fingers. It’s not a beginner’s workout, but wherever you are on your journey, give it a good try. You’ll need to be... »

  • Dealing with Blisters on the Pizzicato Hand

    Dealing with Blisters on the Pizzicato Hand

    So, you recently acquired a double bass. This is great news! Welcome! Or perhaps you simply resolved that this was the year you got serious about playing and you increased your time at the instrument. Fantastic! Or maybe you picked up some regular gigs! Even better! Either way, this recent positive change in your life... »

  • Applying Three-Finger Right Hand Bass Technique

    Applying Three-Finger Right Hand Bass Technique

    Q: I love your three-fingered right hand technique. Do you have any examples of how to apply it into songs I already know? A: This week I decided to answer the question with a video. Check out the PDF to follow along with Weather Report’s “River People” and Tower of Power’s “Oakland Stroke”. »

  • Talking Technique: Changing Technique Habits – What it Takes

    Talking Technique: Changing Technique Habits – What it Takes

    There is a step by step process that can help you change ingrained habits. It is a fast and effective technique to practice just about anything so effectively that it can become addictive. But it is also a great catalyst for changing ingrained habits. That is good news, because if you have ever tried to... »

  • Breaking Right Hand Habits

    Breaking Right Hand Habits

    Q: I have a weird technique problem. I guess at some point (to feel the groove better? keep the time? mimic the metronome?) I started landing my fingers on strings to kind of mute them between the played notes and now it began bothering me – all the clicks sound even louder on steel strings... »