Columns - Page 16

Q: I’m 58 and a semi-pro bassist (I have a day job but have gigged for the past 30+ years and consider myself a very good player). I wanted to ask your thoughts on me trying to focus on becoming a session musician. I’m semi-retired and have a lot more time on my hands but have less interest in trying...

Q: I am an intermediate bass player and I am a fan of several different bass players. I love the way Janek Gwizdala composes, plays chords and creates music using a looper. I can’t get enough of Gary Willis and his amazing groove as well as his fretless tone. I also love listening to guys like Sean Hurley and Jonathan...

Bassists abound in NYC. It’s not uncommon to get on the subway to see two other fellow bassists fighting for a spot with their low-end leviathans. And, you can be sure; these bass commuters can do it all – they can groove and solo. My first two columns have been about the former – the primary background responsibilities of the...

For this week’s column, I asked a good friend and frequent band-mate – Seattle-based drummer Tarik Abouzied – to give his unique perspective into Spotify (and the streaming model, in general). Tarik had written a column in my stead here at No Treble once before regarding bass playing from the drummers perspective and everybody loved his insights. Tarik writes quite...

In this video, we’ll work through a great pattern that I learned from the great trombonist Dave Glen. It’s a fantastic way to make the transition between scales and arpeggios and also helps you to relate them more naturally to different chord types. I found this very useful when I first heard Dave talking about it and I think you...

In this video from the road, I decided to respond to an email requesting some contextual examples of how I might use a few of the “licks and fills” from my book, Right Hand Drive. After a handful of technical difficulties and the majority of my day off spent filming in a hotel room, I present to you… Real world...

There are plenty of players who have left the musical world far too soon and are frequently overlooked or, more commonly, heard but not known. One example that comes to mind is the great and soulful Carl Radle, the California transplant who made an indelible mark in the world of blues and soul during the 1970’s. A fortuitous connection with...

Q: I’ve got a toggle on my bass for passive and active. I hardly use it. Could you explain the benefits and drawbacks of each? Do you ever toggle during a gig? Thanks! A: I’ve more recently become more enamored with the sound of my basses in passive mode. For me, it partially reflects a change in my stylistic preferences,...

In this video, we’ll take a quick look at the usefulness of one of the lesser used fingers… the plucking hand’s pinky!

In this video, I’ll talk you through the basics of developing a walking bass line in addition to demonstrating a few approaches. There’s also a nice exercise at the end that’ll really challenge most of you as you explore new ways to navigate chord changes. Enjoy! Follow along with this chord chart I used in this lesson.

This week, we’re diving into the topic of getting to know (and map out across the fretboard) every interval on the bass. We’ll also focus on ways to try and turn them into licks and melodic patterns that you probably wouldn’t have thought of otherwise.

I pledge allegiance to the time… set by the drummer? By the click? Somewhere in between? These days, almost all recordings are done to a click track. And why not? It forces everyone to be aware of the desired tempo and to be responsible for their own sense of good time-keeping. It eliminates huge fluctuations, assuring that the adrenaline rush...