Columns - Page 6

For this month’s “Recording Bass” column, Travis Huisman dives in to the topic of parallel compression and how to incorporate it into your bass tracks.

Ryan Madora is back with a new “Lightbulb Moment” column. In this edition, Ryan talks about the benefits of playing slow - and even ties in a great food analogy.

Travis Huisman has received emails from readers thanks to his popular “Recording Bass” column. Some have asked about recording the double bass. In this edition, Travis shares some thoughts on recording in both classical and pop/rock settings.

One universally befuddling inquiry is deceivingly simple, “what key are we in?” As easy as it sounds, the key of a song can often be interpreted in different ways. That’s the subject of this “Lightbulb Moment” column.

Getting a gig is the result of connecting the dots. Relationships turn into recommendations, recommendations turn into work, work turns into reputation. No one knows this better than John Miller, our latest Bass Player to Know.

In the early 2000s, there was a popular technique producers used when recording bass: blending in a subwoofer track. After some experimentation, Travis Huisman successfully recreated that sound. He shares his steps in this new “Recording Bass” column.

Genres evolve thanks to the players, composers, and producers who innovate. In Ryan Madora’s new “Bass Players To Know” column, she focuses on the work of one of the masters: Jimmy Haslip.

There is a long-lasting debate on whether you should record your bass tracks with a DI or a microphone. In this edition of “Recording Bass,” Travis Huisman breaks downs the pros and cons for each.

As bassists, we can often be our own, harshest critics. That’s the subject of Ryan Madora’s latest “Lightbulb Moment” column - which includes another way to look at dealing with mistakes.

All of my favorite albums have a distinct bass tone throughout. That is not because they just winged it on bass tracking day. Bassists need preparation tactics ahead of time. Here are some tips you can use to end up with a better tracking day.

When was the last time you listened to a groove that was so funky and remarkably precise that you couldn’t resist being in awe? For Ryan Madora, it was the last time she listened to Rhonda Smith. Rhonda is the focus of this “Bass Players To Know” column.

Travis Huisman is back with another “Recording Bass” column. In this one he shares tips about avoiding that muddy (or non-existent) low end he finds in a lot of his client’s projects.