Bass Lessons - Page 31
Lesson: Basic Line Construction Types
After doing last week’s column, I’ve been thinking more about approaches to creating lines connecting ii and V chords. I’d like to revisit the subject and delve into some basic line construction types. Each particular technique constitutes parts that become interchangeable and apply to a wide range of bass line situations. Throughout these exercises we’ll be going back and forth...
How To Harmonize Melodies
At some point in your musical career you are bound to be given a melody line… and nothing else. Maybe it’s one you have created, it might just be an idea someone else is working, or perhaps it’s the melody to a standard you have to learn on the bandstand. Regardless of the circumstances the bottom line is that you...
A Lesson on Live Looping for Bass
Guest contributor Russ Sargeant shares this live looping lesson with us, on bass using Mobius software and the Behringer FCB1010. Introduction Solo musicians have a new powerful weapon in their arsenal, or rather access to technological advancements on an established idea. Live Looping has been around since the days of the tape delay machine. One of the most famous advocates...
On walking: Connecting ii-V’s
Continuing this video lesson series on walking, Jon explores various ways to connect ii-V progressions; arpeggios, chromatic & diatonic approaches from above and below the targets, and changing tones (notes arrayed on either side of the target). Jon is accepting students via Skype video. Email [email protected] for more information. Be sure to check out Jon’s book, The Untold Secret to...
Walking: On and through chord changes
Here Jon demonstrates walking using chord tones, lead ins, various combinations of these, and “changing tones” – notes above and below the target, zeroing in on it. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available as a pdf download or as a Amazon Kindle book. And now in paperback edition!
Lesson: Right hand technique, metronome, lead-ins
In this week’s new video lesson, Jon Burr talks about right hand technique for pizzicato upright bass, using a metronome as a meditation (Jon drops the beat), and basic lead-ins from above and below a target. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available as a pdf download or as a Amazon Kindle book....
Lesson: Fundamental technical approaches to bass
We’re starting a new video lesson series by Jon Burr today. This week’s lesson focuses on fundamental technical approaches: balance, approaching the whole fingerboard, staying clear of the body of the bass, playing by sound and feel rather than visual cues; energy vectors in the hand. Be sure to check out Jon’s book, The Untold Secret to Melodic Bass, available...
How To Copyright Your Music
You work really hard a musician. If you’re at the point of publishing your own original music you need to understand a few things about the music business to protect yourself and your work in the form of copyrights. It is not absolutely necessary to file copyright applications for your work, but there are a lot of advantages to doing...
Oppositional Structures in Melodic Construction: Imaginary Chords
Bass players need to become familiar with the principles of melodic construction for the creation of bass lines as well as solo lines. One such principle is “oppositionality,” which we’ve talked about in previous columns. Oppositionality is the usage of non-harmonic tones to create tension and release against the underlying harmonic environment, contrasting against specific harmonic tones (targets). Some devices...
Transcriptions in 6 Steps
There comes a time in every player’s life where you have to make the next big step in your practice methods: you must do some transcriptions. Suppress your groans, it is not as bad as you think, and it is an immensely useful practice tool. There’s a reason why every player, teacher and book about serious jazz practice recommends it....
Dynamics and accents: Walking
Yes, accents are good. Dynamics are good. Good pitch, dynamics, note choice and use of register are the icing on the musical cake; they separate the artist from the journeyman. Today we’re going to look at accents in walking bass. Accents are the bones of propulsion. How do we use them to best effect? What beats should be accented? We...
Lesson: Pattern Recognition in Jazz Standards
Believe it or not pattern recognition is extremely important to being a successful jazz player. There are a few common chord progressions that will pop up in many tunes – having an arsenal of lines or phrases for these different pattern sets can save your neck on the bandstand if you don’t know the tune. In this lesson we’ll go...